Word: harvey
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Dates: during 1960-1969
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...Cyrus Harvey, owner of the Brattle, offered a par explanation last night when he compared the Bogart films to Greek tragedies. "The audience is a kind of chorus," he pointed out. "The dialogue is way ahead of its time: it doesn't age." Consequently, people keep returning to see the same films and "chant the lines along with the actors," Harvey said...
...Endikin and Reetchie" by Harvey Firari and "Cello Days at Dixon Place" by Michael Weller took an attentive and from a post-nuclear desert hell to the temporary break-up of an idyllic situation in the Village of three young men and the woman they idealistically share The one-act plays, both originals premiering at the Ex, are moderate successes, certainly up to what are now the fairly high standards...
...most parts of the world, the salary of an executive is treated with as much secrecy as his sex life. When the British learned last month that British Printing Corp. Chairman Wilfred Harvey pulled down $750,000 a year plus expenses, they were astounded not only by the amount but by the fact that it had become known. The disclosure came after directors of the firm won a battle to force Harvey to resign and relinquish his huge salary, which they called "grotesque." The case raised curiosity about how much and how varied are the incomes of the world...
Eventually, she trades in her commentator for a late-model cad (Laurence Harvey) from the advertising world, wins modest renown as "the Happiness Girl," promoting "chocolates with fairy-tale centers." Her own fairy tale ends, many escapades later, when she finds ruin at the top as the wife of a wealthy Italian nobleman. Mistress of a sprawling palazzo, she endures boredom, fame, and neglect-despising the suffocating luxury of a milieu that has nurtured and, at last, enslaved...
...amoral heroine, Julie Christie offers her polished surface to the camera in a chic, showy performance that floods nothingness with light. When she entertains a bid from Harvey, walking barefoot atop a boardroom conference table in tantalizing finery, Christie evokes an image of corruption that might well tempt a gentleman to corporate risks. She is the apotheosis of trumped-up celebrity, an authentic contemporary creature whose every misstep makes thousands leer. Because her passions are only skin-deep, her tragedy is trivial. But at every toss of her blonde mane, every shard of a smile, all else on the screen...