Word: harvey
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...HUPD to escort Vaux off the premises. Inside, a frustratingly limited MP3 playlist dicated the tunes, but no one could change it because Yale Registrar Johanna S. Runyan was hooking up with Cornell General Counsel Martin H. White in the bedroom with the computer. Finally, former Provost Harvey V. Fineberg ‘67 set up his ‘tables, and when he dropped the beat to DMX’s “Up In Here,” Professor of Afro-American Studies Cornel West ‘74 took the mic. While West delivered tight rhymes...
When an audience member asked about Kenan Professor of Government Harvey C. Mansfield ’53 and his crusade against what he sees as a rampant inflation problem, Dean for Undergraduate Education Susan G. Pedersen said it is not as much of a problem as the press has made...
...mail from Dean of the College Harry R. Lewis that Kenan Professor of Government Harvey C. Mansfield ’53 leaked to the Boston Globe (News, “Lewis-Mansfield Dispute Goes Public,” Oct. 11) confirmed what everyone knows but no one will openly discuss: that grade inflation is primarily an affliction of the humanities...
...Harvey, who had been exposed to French cinema at the Cinematheque while studying at the Sorbonne as a Fulbright scholar, brought a distinctly international flavor to the Brattle during a time when most Americans had seen very few non-Hollywood films. Harvey and Haliday helped rekindle interest in American classics that had long been forgotten. They also established the important Janus Films, Inc., the main distributor of avant-garde films in the U.S. until 1966, when it was forced to close after too many directors were snatched up by Hollywood. Harvey and Haliday brilliantly juxtaposed old Hollywood classics...
...portion of them were forced to close down. But thanks to the tenacity and strength of vision of Marianne Lampke and Connie White, who took over the theater in 1986, the Brattle continued to thrive without having to compromise any of its standards. Lampke and White stayed true to Harvey and Haliday’s original vision but expanded upon it by establishing the “vertical” programming that features a different film almost every night. One night a week was designated for foreign films, another for independent films and the weekends for classics. They even brought...