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...Ryosuke Hashiguchi's Hush! quietly made its way to Cannes last year, but it may yet do brisk box office around Asia. Think of it as a reworking of Madonna's The Next Best Thing, only better: this version swaps tack for tact. Hashiguchi, the Japanese director of many gay-themed films, doesn't play the camp for lame laughs but to showcase family values...

Author: /time Magazine | Title: Three Hearts | 3/18/2002 | See Source »

...sequence. The three characters' families gather in Katsuhiro's living room for a confrontation over his relationship with Asako. The nine relatives in the room, framed together like a painting, each get to voice their concerns, prejudices and, in Asako's case, undying love (for both men). Hashiguchi's passive, distant lens is the perfect partner for their very active dysfunction. Hush! is felicitously titled. Wry and endearing, it makes the right noises but doesn't shout about...

Author: /time Magazine | Title: Three Hearts | 3/18/2002 | See Source »

Berth Control. In Onomichi, Japan, after Mrs. Yukiko Hashiguchi, 34, sobbed to railroad officials that, somewhere down the line at a station she could not remember, she had stepped off her train for a drink of water with her seven-year-old son, who got lost, the officials phoned round, soon reported that her boy had been located, found her sobbing afresh because the train had gone on its way, carrying her luggage and five-year-old daughter...

Author: /time Magazine | Title: Miscellany, Nov. 3, 1958 | 11/3/1958 | See Source »

Inside Job. In Tokyo, Discharged Policeman Keiichi Hashiguchi confessed that he had stolen clothing and over $100 in cash from police headquarters because "[it] was the easiest place...

Author: /time Magazine | Title: Miscellany, Jul. 4, 1949 | 7/4/1949 | See Source »

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