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...talking. In an interview with TIME, a high-ranking insurgent leader confirms what the teenager suggests: a new generation of militants is tightening its grip on the south, employing increasingly brutal methods that threaten to wreck an uncommon mood of conciliation in Bangkok. The leader, who calls himself Hassam and commands 250 fighters, claims there is now at least one militant cell in 80% of southern villages. His and Ma-ae's rare testimony help to illuminate a shadowy insurgency remarkable for its secrecy, resilience and bloodiness...

Author: /time Magazine | Title: In Death's Shadow | 11/26/2006 | See Source »

...cocksure tastemakers and champions of Picasso. By that year Picasso and Braque were already off and running through the first stages of Cubism. Meanwhile, advanced American painting, such as it was, meant the Ashcan School realism of Robert Henri and John Sloan or the agreeable borrowings of Childe Hassam and Maurice Prendergast, who were still absorbing what they could from Postimpressionism. Even Cézanne had not entered much into American thinking, much less Cubism and its fierce extrapolations from Cézanne's faceted space...

Author: /time Magazine | Title: Picasso's Progeny | 10/9/2006 | See Source »

...began to live." Cassatt was not alone. By the late 1870s Impressionism was already an established movement in France. American painters were flocking there to embrace the new style, blending European approaches and techniques with their own influences and vision. Cassatt and her contemporaries - including John Leslie Breck, Childe Hassam, William Merritt Chase, John Singer Sargent, Theodore Robinson - created a style known as American Impressionism, which remains largely unknown in Europe. Now the Hermitage Foundation in Lausanne, Switzerland is offering a rare glimpse at 59 paintings created from 1880 to 1915 by 33 American Impressionists; some of the works have...

Author: /time Magazine | Title: Lasting Impressions | 6/23/2002 | See Source »

...provincialism. In some respects the moderns were less original than the great American figures of the 19th century: John James Audubon, Frederick Church, Thomas Eakins, Winslow Homer. You were likely to be running behind the tick of the big clocks in Paris and Berlin whether you were Childe Hassam doing Impressionist streetscapes 30 years after Monet or a New York abstractionist producing ideal geometries in the early 1940s. "We all steal," said Arshile Gorky to Ilya Bolotowsky. "You steal from Cahiers d'Art [a French art magazine of the '30s]; I steal from Cahiers d'Art. The only difference...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

...want to spruce up their residences and look tasteful and patriotic. Through agreements with an array of institutions, artists and collectors, the program encourages ambassadors to become their own art dealers, selecting works that strike their aesthetic fancy. Among the most chosen artists in the diplomatic service: Childe Hassam, Maurice Prendergast, Edward Hopper, Mark Rothko, Jacob Lawrence, Morris Louis, Andrew Wyeth, Robert Rauschenberg, Dale Chihuly and Helen Frankenthaler. Says director Roselyne Swig: "Our ambassadors see the works as an invaluable outreach tool...

Author: /time Magazine | Title: Notebook: Jun. 16, 1997 | 6/16/1997 | See Source »

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