Word: hassam
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Adopted from the start, and strictly adhered to since, was a decision to exclude works by living artists. The most modern paintings acquired so far are a John Marin circus scene and Childe Hassam's Flag Day, a 1917 impressionist view of the Stars and Stripes arrayed along Manhattan's Fifth Avenue...
...book called Maine and Its Role in American Art, 1740-1963 (Viking; $10) -raises doubt that the nation's art could have survived without the help of that state. From Gilbert Stuart and John Singleton Copley to John Singer Sargent and George Bellows, from Maurice Prendergast and Childe Hassam to Georgia O'Keeffe and Edward Hopper, from Winslow Homer to John Marin to Andrew Wyeth-artists have taken inspiration from its cruel coasts and rugged landscapes. Marsden Hartley lived there and found his own rough-hewn style admirably suited to it. He saw no refinement, only a primeval...
Silver & Snuff. Montclair got its museum almost in spite of itself. Around 1910 an elderly collector named William Evans offered to leave 40 American paintings, including a Ralph Albert Blakelock and a Childe Hassam, to Montclair, provided that the town put up a suitable building. When the town hesitated, Mrs. Henry Lang, an heir to the Rand mining machinery millions, briskly decided to get things moving by putting up $50,000 herself. In 1914 the neoclassic building opened its doors...
...accent was American; only a handful of artists-notably Delacroix, Courbet and Renoir-were foreigners, and almost all came from Bouvier-land. For the rest, along with Mary Cassatt, John Audubon and Childe Hassam, there were some art ists who had scarcely been heard of for years. A former naval person like the President would understandably favor a seascape by James Bard. But a Mount Monomonac by the sentimentalist Abbott Thayer, who died in 1921, or a portrait of Queen Victoria by the stodgy Franz Winterhalter, whom Ruskin dubbed a "dim blockhead," were plainly special tastes...
Sobering afterthoughts were two other exhibitions staged by the Corcoran. In one salon were hung 24 past winners, ranging from little-known Willard L. Metcalf's moonlit May Night to John Hult-berg's Yellow Sky (TIME, May 2, 1955), and including Childe Hassam, George Bellows and Edward Hopper. Across the hall was a first-rate collection made up of nothing but onetime nonwinners: Albert Pinkham Ryder, Mary Cassatt, Winslow Homer, Thomas Eakins, John Sloan, Marsden Hartley and John Marin. Said Corcoran Director Williams: "We know from the statistics of previous shows that only three or four...