Word: hat
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Dates: during 1960-1969
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...Mexican children from Southern California schools were enjoying a frenzy of creative activity. And everywhere, prancing excitedly among the kids, was a frenetic 63-year-old man whose lean face crinkled often with laughter. It was Dr. Seuss, the cartoonist and writer, whose zany animals (The Cat in the Hat, Horton the Elephant, Yertle the Turtle) have captivated some 33 million buyers of children's books. Hamming it up for the kids, he popped in front of drawings by Henry Moore, brought gales of youthful laughter as he told them the artist's name was either "Heinrich Moorehaus...
...people-as those who "compensate for something-you wouldn't start building something new unless you were dissatisfied with what you've got." Perhaps, he adds with a smile, "we are all psychotic." Maybe so, but under the spell of Dr. Seuss, a cat that wears a hat and an elephant that sits in a tree somehow seem more normal than a Dick and Jane who chase a ball...
...Beverly Hills home, bald, bespectacled Gene Kelly could pass as the aging big star lapsing into the big fadeout. But not so. One flourish from that invisible 100-piece orchestra that always seems to follow him around, and he would undoubtedly slap on his hairpiece and straw hat, pirouette over the coffee table, go tippity-tap-tapping along the poolside, buck and wing it across the volleyball court, and end up with a ten-minute improvisation on the monkey bars...
...lend a scent of sagebrush to his first western, Leone changed his name to Bob Robertson and imported Clint Eastwood, a lanky, rawboned drover on TV's Rawhide. Eastwood's image was too clean-cut for an antihero, so Leone added the necessary smudges-slouch hat, black cheroot, stubble beard and a ratty-looking scrape. For the villain's role, he hired veteran horse-opera heavy Lee Van Cleef, and the shooting commenced...
Stories and Texts for Nothing provides evidence for both camps. The three short stories and 13 shorter fragments are all of the typical "no" piece of his novels, featuring the nameless "I" character-or noncharacter. In one story, a decrepit figure, whose hat covers a pustule on top of his skull, is expelled from his boardinghouse and wanders until he comes to rest in a cab in a stable. In another story, a tortured soul gradually constructs his own coffin by hammering boards across the top of an abandoned rowboat...