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Word: hates (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...York subway car, a white girl who is a twitchy, neurotic bundle of well-informed cliches and sterile sexual aggressions, lures, taunts, degrades and destroys a Negro in a Brooks Brothers shirt, but not before he tells her, with profane and explicit brutality, how much Negroes hate whites. Though his one-acter repeats the pattern of Albee's The Zoo Story, Jones captures the contemporary mood of violence with raw and nerve-tingling fury...

Author: /time Magazine | Title: On Broadway: May 15, 1964 | 5/15/1964 | See Source »

Bianchi (After shooting Rosa Klebb, thereby saving Bond from being kicked by a poisoned spike on her shoe): Oh, she vas tarrible woman. I hate...

Author: By Charles S. Whitman, | Title: From Russia With Love | 5/14/1964 | See Source »

King's second exhortation that "militancy must not lead to a distrust of white people" has not been heeded. For, the failure of non-violent strategy among whites has bred protracted frustration among Negroes, helped justify Negro militancy and irrational Negro racism which are full of suspicion and hate for whites...

Author: By Archie C. Epps, | Title: Civil Rights Movement Reaches Impasse | 5/13/1964 | See Source »

...Northern Republican seemed unreal. More real were the memory of demonstrations, picket lines, sweat, nausea too often denied, six dead Negro children, Birmingham, freedom songs; despair when quiet and sophisticated friends were caught up in the storm of revolt and swept into the movement on waves of emotion and hate; the endless search for identity, truth, meaning, love and hate shared with Negroes the summer of 1963. And the history of another and originally pacifist group of Anabaptists, seemed applicable to Negroes...

Author: By Archie C. Epps, | Title: Civil Rights Movement Reaches Impasse | 5/13/1964 | See Source »

From that dubious starting point, Whitmore's journey runs a predictable course. He meets hate, violence, discrimination, segregation. He endures lurid encounters with whites eager to verify their surrealistic fantasies about Negro sexuality. Written and directed in sledgehammer style, the movie revels in its own righteousness, too often substituting good intentions for good work. And Whitmore's makeup merely makes him look like a dark, wet actor doing Gentleman's Agreement in blackface. What's really wrong with the film, however, stems from Griffin's original thesis. His discovery of the Negro world...

Author: /time Magazine | Title: Cinema: Masquerade in Dixie | 5/8/1964 | See Source »

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