Word: hates
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Dates: during 1980-1989
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Writing of John Kennedy's assassination in his book, Why we Can't Wait, King said, "We were all involved in the death of John Kennedy. We tolerated hate; we tolerated the sick stimulation of violence in all walks of life; and we tolerated the differential application of law, which said that a man's life was sacred only if we agreed with his views. This may explain the cascading grief that flooded the country in late November. We mourned a man who had become the pride of the nation, but we grieved as well for ourselves because we knew...
...School classmate, John Kaplan, now visiting the Law School from Stanford, says that Bok "was considered the handsomest guy in the class, the best athlete, probably the richest, and he was among the smartest in the class. God, you could genuinely hate someone for all that, but you just couldn't hate Derek...
...BOOK is the bittersweet tale of one boy's love-hate relationship with Dartmouth. Hart entered the school in 1977 and found himself, happily, rooming with Jeff Kemp, now quarterback of the Los Angeles Rams and the son of congressman Jack. There were dignified professors with whom to study Shakespeare and St. Thomas Aquinas, and the splendrous White Mountain scenery to enjoy...
...Distinguished Service Cross. These roles inevitably win Lemmon Oscar nominations (three in the past five years), but this time he might even deserve one. Father Farley is an ideal Lemmon subject: the entertainer at mid-life crisis, with all attendant weary routines and stutter-step timing, and a love-hate relationship with his audience and himself. Lemmon's trademarked excesses are part of the character; they play off Ivanek's imploding edginess in a generational combat of acting styles. Guess who wins in this expanded and affecting version of Bill C. Davis' 1981 Broadway comedy...
...provincial soap opera, and a brackish one at that. Sometimes too it parades a kind of sincerity that teeters on melodrama. Symbols are spelled out, symmetries underlined, characters displayed with embarrassing nakedness. Merrick never tires of proclaiming his lower-class origins, and Kumar commits such lines as "I hate ... most of all myself, for being black and being English." Nevertheless, the rippling succession of slow, soft moments gathers such cumulative resonance that the series' conclusion is both shattering and ineffably moving...