Word: hating
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...their decades together chasing bad guys has given Turk and Rooster similar views of the citizenry. Similar and simple: you never go wrong assuming the worst. "I hate scumbags," Turk says. "I like shooting people." He explains that he joined the police force for the badge and the gun. "Most people respect a badge. Everybody respects a gun." After a few suspicious homicides, both men undergo a brief psychiatric evaluation. When the shrink asks, "How do you feel when innocent people get killed?" Rooster replies, "You know, I sorta got numb to it." He's been around too long...
...cousin Rab, who has joined him in the bar. "Our mums are twins," adds Rab, without clarifying further. Allan's feelings about this division inform the album's haunting, hymn-like final track Ice Cream Van, a paean to a better place, a world free of sectarianism and hate. It's hard to imagine any other trendy indie band credited with nailing the zeitgeist writing something as bold as a message. But Glasvegas leave us with this one: "Bring back the glory days/ Active citizenship and pure community/ Freedom of faith." I'll drink a banana breeze to that...
...works only with important collectors who might lend or give them to major museums. It's all part of any dealer's service to the artist's long-term reputation, but it can have the effect of discouraging less prominent customers. This is how Hirst sees it too. "I hate the way when you walk into a gallery and say you want to buy a Damien Hirst they say: 'Who are you?' I much prefer to be in a shop where you can just...
True Blood's vampires have "come out of the coffin" since the Japanese invented synthetic blood (sold as Tru Blood [sic], in six-packs). Humans are skeptical that they've really been taken off the menu--antivamp hate crimes abound--but they're also fascinated. There's a subculture of "fangbangers" who crave vampire sex, and in a clever inversion, a brisk trade in "v," vampire blood, which intensifies the senses and acts like extra-strength Viagra...
...neighborhood, is at its best in its darkest and coldest moments, when its back alleys, mom-and-pop fishmongers and bite-size pubs tap into the charisma of one of Europe's most storied neighborhoods. Indeed, 101 has been the muse for a generation of artists that love to hate Iceland's six-month winters - among them director Baltasar Kormákur, whose film 101 Reykjavík was based on Hallgrímur Helgason's 1996 novel of the same name...