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...explodes from a dry well) and for a few high-class variety numbers. Lena Home and Cara Williams provide the best of these, though Frankie Laine's performance is not without its morbid fascination, and Hermes Pan's ballet about Frankie and Johnny has a sort of hatpin wickedness-even though Ballerina Charisse succeeds in blunting the point...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 2, 1956 | 4/2/1956 | See Source »

Suzanne Labin writes with a hatpin. This young (thirtyish) French political scientist impales totalitarian myths and neutralist delusions, prods lukewarm intellectuals who rarely rise to the defense of democracy, or if they do, praise it with faint damns. Author Labin has small use for so-called thinkers who don the smoked glasses of a spurious objectivity and report that they can see no difference between Western freedom and Eastern tyranny except "shades of grey." She believes that it is worth restating the great central truth, or "secret," of democracy, i.e., that it is the first, last, best and only hope...

Author: /time Magazine | Title: Books: Liberty Is a Lady | 2/27/1956 | See Source »

Unintimidated, League headquarters in Johannesburg dispatched ten cars and two airplanes full of Black Sashers to reinforce their embattled sisters in Bloemfontein. "From now on, I will carry a good long hatpin with me, and I am not beyond jabbing somebody with it," said one outraged lady...

Author: /time Magazine | Title: SOUTH AFRICA: The Silent Critics | 9/26/1955 | See Source »

...either candidate as angry as he sounded? Probably not. The spirit of professional wrestling seemed to have entered New York politics. Gentleman Ives and Gentleman Harriman were grimacing as if they feared Hatpin Mary would jab them if they relaxed...

Author: /time Magazine | Title: National Affairs: The Battlers | 10/18/1954 | See Source »

Finished last June, the painting was the core of an exhibition at Manhattan's Alan Gallery last week. Levine had crammed it with hatpin-sharp caricatures, all bathed in a rich and suitably waxen light. His nervous, flickering brushwork brought every inch of the canvas to life, and created an illusion of space filled not only with figures but with air, odors and heavy thoughts. Levine's message to his fellow man was no longer propagandistic, but moral. Gangster Funeral may, like Hogarth's Gin Lane and Lautrec's Elles, live far beyond the age that...

Author: /time Magazine | Title: Art: Breakthroughs | 11/16/1953 | See Source »

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