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Ever since T-Pain started to don that Mad Hatter’s top hat and those digital stunna shades, he has truly been on some other stuff. The second video for his new album, “Chopped N Skrewed,” is “The Jimi Hendrix Experience” gone circus-digital almost like—hmm...well, the first video off the album, except replace Lil’ Wayne with Ludacris. With one touch of a magic button on the shades, we are transported to a techno-psychedelic dream world where, as usual...

Author: By Keara D. Cormier-hill, CONTRIBUTING WRITER | Title: POPSCREEN: T-Pain | 10/24/2008 | See Source »

...Thing is, all these criticisms could have been made about what we now think of as the great Astaire-Rogers musicals of the 1930s - Top Hat, Swing Time and the rest. Who cares if the stories were lame, the characters cardboard? When Fred and Ginger danced, it was swellegant, elegant, divine...

Author: /time Magazine | Title: High School Musical 3: The Critic vs. The Kids | 10/23/2008 | See Source »

...Thing is, all these criticisms could have been made about what we now think of as the great Astaire-Rogers musicals of the 1930s - Top Hat, Swing Time and the rest. Who cares if the stories were lame, the characters cardboard? When Fred and Ginger danced, it was swellegant, elegant, divine...

Author: /time Magazine | Title: High School Musical 3: The Critic's Review | 10/23/2008 | See Source »

...Spring of 2006, Joe Klein wrote a column for us titled "Barack Obama Isn't Not Running for President," in which Joe basically predicted that the first-term Senator would throw his hat in the ring. In October of that year, we put Joe's story about Obama on the cover and called it "Why Barack Obama Could Be the Next President." This was long before many people even gave the first-term Chicago Senator a chance to win the Democratic nomination. Joe has been tracking every step of Obama's journey and marking the Senator's evolution along...

Author: /time Magazine | Title: Closing In on Election Day | 10/23/2008 | See Source »

...Godard’s “Le Mépris,” Camille—played by the iconic sixties starlet Brigitte Bardot—abandons her husband for the narcissistic, almost ghoulish American film producer Jeremy Prokosch, played by Jack Palance. Bardot, in a wide-brimmed hat and large black sunglasses that recall Jackie Kennedy, displays a cold yet alluring ambivalence toward her piggish new lover. They exchange brief words, casual affections, but barely understand one another—Bardot’s character speaks no English, Palance’s hardly any French. Godard cuts back...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: New Wave But Old Fave | 10/23/2008 | See Source »

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