Word: hauteur
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...their dependence on private customers, Paris' couturiers are apt to be haughty. An American visitor must show her passport before a showing, to assure the couturier that she is not a pirate in disguise. If she balks at the price, the vendeuse is apt to display a cool hauteur. "When they hesitate, I always advise them to buy elsewhere," says Dior's chief vendeuse. "Remorse is better than regret...
...playwriting. But Mayehoff has no equal at harrumphing or at jerking his head, at skinning a cliché or stuffing a shirt or making very little sound like even less. And no one has quite the lost-in-a-balloon aplomb or the Mad-King-of-Bavaria hauteur of Cyril Ritchard. At the same time no one knows more surefire tricks. Ritchard will do as many absurd and outrageous things to keep an audience amused as a desperate father will do to make his four-year-old darling...
Best of all, Raeburn knew how to capture the air of robust hauteur then considered the proper mark for men of distinction. This is particularly true of his portrait of Sir Duncan Campbell, a dashing figure who, as a general's aide-de-camp, had three horses shot out from under him at the Peninsular battle of Talavera. In later years the young officer became a magistrate and deputy lieutenant for the county of Argyll, in 1831 was created first baronet of Barcalvine and Glenure. There is little doubt that he liked his early portrait. It remained...
Tasteless and labored, Dear Charles has just enough helpful lines and situations to serve Tallulah as a vehicle. If never the least bit Parisian, she is frequently lively. There are those sudden moments when her voice comes up like thunder, or she freezes with raffish hauteur, or has the charm of something caged and carnivorous. There are doubtless nobler ways of being unmistakable and unforgettable, but in a world where few people ever manage to be either, Actress Bankhead remain almost incessantly both...
Young (21) Painter Cuevas strayed only as far as the insane asylum, the charity hospital and the slums. With an economy of fuzzy line, scratched on paper with almost hairless brushes, he powerfully portrayed the hunched reticence of schizophrenia, the hauteur of megalomania, the stares of poverty and disease. His show of 43 ink drawings and watercolors at Washington's Pan American Union caused one old lady to ask: "How can you be so young and so morbid?" To this often repeated question, Cuevas replies flatly: "My interest in the dying and the insane is my vision of modern...