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Roughshod. In Chicago, Fred Haver-kate formally charged George Widdes with assault with a deadly weapon: "One pair of oxford shoes, size eight, attached to the defendant's right and left feet...

Author: /time Magazine | Title: Miscellany, Oct. 10, 1949 | 10/10/1949 | See Source »

Look for the Silver Lining (Warner), Hollywood's newest tender recollection of Broadway's glamourous past, tells the life story of the late Marilyn Miller. Fondly and sometimes foolishly, the script follows Marilyn (June Haver) from the day she joins up, in pigtails and high-button shoes, with her family's vaudeville act, to a fictitious revival of Sally in the 1930s. In between it sandwiches colorful chunks of a half dozen of Broadway's best-remembered shows, samplings of their biggest tune hits, reel after reel of dance routines by June Haver and Ray Bolger...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 4, 1949 | 7/4/1949 | See Source »

...played in blackface by Marilyn's family, and the 1918 Armistice exploding in headlines and parades. Everything, in fact, is so crowded and cluttered (including the sound track which now & then goes slightly hoarse) that little room is left for nostalgia. In the midst of the uproar Miss Haver sweats out two whole decades and a dozen styles of dance routines. Though fresh and appealing in her pigtail period, she is never quite convincing as Broadway's toast...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 4, 1949 | 7/4/1949 | See Source »

...soth Century successor decided also to call it the Knesset. But what should they call themselves? Should they use the ancient word ish (man)? A spokesman for the orthodox Jews objected: "Let's leave that alone until we restore our past glories." They finally chose the word haver, which is colloquial Hebrew...

Author: /time Magazine | Title: ISRAEL: Road to Jerusalem | 2/28/1949 | See Source »

...most gorgeous, henna hay-burners that ever plodded out of a studio make-up salon. The picture may also appeal to some children; it tells how a horde of anti-mule, glue-factory-minded grownups are foiled by a pro-mule boy (Lon McCallister) and his girl (June Haver). Adult people and horses may resent the film's hee-hawed refrain: that mules are smarter than either of them...

Author: /time Magazine | Title: The New Pictures, Apr. 26, 1948 | 4/26/1948 | See Source »

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