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Near the end of her 20-min. mad scene, Miss Havisham cries out, "I am tired!" There is a derisive titter from the audience. They have sympathy for Soprano Rita Shane, who plays Miss Havisham. She has flung her voice valiantly through trills, runs, arpeggios, and sung paragraph upon paragraph of words that dwarf the great mad scene in Lucia di Lammermoor. But the audience is tired too, because this kind of listening, when most of the words are unintelligible, is also hard work...

Author: /time Magazine | Title: Music: The Immolation of an Opera | 4/2/1979 | See Source »

...Pasquale. Two composers are writing operas for her, which are due to be introduced in the spring of 1979. They are Gian Carlo Menotti's Juana la Loca, about the mad daughter of Ferdinand and Isabella, for the San Diego Opera, and Dominick Argento's Miss Havisham's Fire, based on Charles Dickens' Great Expectations, for the New York City Opera...

Author: /time Magazine | Title: Music: Sills Calling It Quits in 1980 | 1/23/1978 | See Source »

...GARDNER'S will has some of the flavor of the Miss Havisham scene in Dickens' Great Expectations - she wanted everything kept the way she left it. She explicitly specified that not an article be added or moved from its place in her house, for if anything was changed, the Museum and the funding to support it would become the property of Harvard University...

Author: By Meredith A. Palmer, | Title: The Gardner Museum | 4/19/1971 | See Source »

Died. Martita Hunt, 69, one of the great ladies of the English stage and screen, who enthralled American audiences as the sinister Miss Havisham in the 1947 film version of Great Expectations, and in 1948 as the wondrously wacky ragbag old crone in Broadway's The Madwoman of Chaillot; in London...

Author: /time Magazine | Title: Milestones: Jun. 20, 1969 | 6/20/1969 | See Source »

...with "this fantastically rich and spectacular, this gorgeously electric and vital country." Bridgeport and Ashtabula interest her as much as Berlin and Athens, and in a few incisive words she can draw an ineradicable image of a city or a country. "Gray, shrouded, crumbling" Galveston reminds her of Miss Havisham in Great Expectations, and Israel is "a sort of Jewish Texas, without oil wells...

Author: /time Magazine | Title: Books: Glimpses of a Half-Century | 9/6/1963 | See Source »

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