Word: hawked
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...Egyptian artillery. At first, they were unopposed, but Egypt later scrambled half a dozen MIGs. Dogfights flared along the length of the canal. That afternoon, Egypt hit back on a larger scale. More than 40 Egyptian aircraft went after Israeli installations. The Israelis responded with fighters and Hawk antiaircraft missiles, and the battle was on. Late in the day, the opposing propagandists entered the fray. According to Egypt, six Israeli planes were downed and one Egyptian plane was lost. The Israelis, citing photographic proof, said that seven Egyptian jets were downed and two more damaged, and admitted no losses. Over...
...unhappy battlefield of Viet Nam, of course, will prove the chief test of the present Administration. Nixon, the onetime hawk, is determined to disengage. He has begun to lessen the U.S. involvement here and has put pressure on the Saigon government to seek peace. It can be argued that he might have done more-some dramatic move after the inauguration, a cutback in American-initiated ground actions. On balance, however, Nixon has done about as much as could be reasonably expected, considering the political, diplomatic and military perils of the situation. At any rate, he has completely changed the official...
Born in St. Joseph, Mo., Hawk began to play the piano at five, the cello at seven, and was fingering a sax at nine. While playing with Singer Mamie Smith's Jazz Hounds on a Manhattan gig, Hawkins, then 19, was heard one night by Band Leader Fletcher Henderson, who signed him and kept him for eleven years. Hawk developed his particular sound-breathy, but also powerful and deep-grounded-in part, as he once said, "because I was trying to play over seven or eight other horns all the time." In 1939, while working with his own combo...
Father Figure. Hawk reached his peak of popularity as a musicians' musician during the early '40s. But he kept abreast of later changes, from swing to bop to the cooler, lighter sound of the '50s. He also became something of a father figure to young players, whom he entertained in his Manhattan apartment overlooking Central Park, talking music or baseball and cooking for them (he loved all kinds of beans-and popcorn). Almost always in the background there was the sound of classical music; Hawk loved Bach and Beethoven as much as a strong jazz solo...
...constant struggle with illness. When he did perform, he would come on the stand bearded and bowed, seemingly dwarfed by his big horn, smiling mischievously. The notes would stumble at first, and the tremolo might widen into an uncontrolled wobble of sound-but sooner or later Hawk would explode into a solo that recalled earlier days: warm, austere, unfailingly rhythmic even in the midst of a caressing ballad. Afterward he might laugh a little, as if sharing the private pleasure of self-rediscovery with his audience. "He put a lot of beauty into his playing," said Drummer Eddie Locke...