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I thought you would like to know how much I enjoyed the article on Coleman Hawkins [Aug. 31], the elder-statesman saxophone player. Though he has been playing tenor for nearly 40 years, "Bean" has always kept up with the youngsters as well as his contemporaries. I cannot recall a...

Author: /time Magazine | Title: Letters: Sep. 7, 1962 | 9/7/1962 | See Source »

The only place where I differ with your editor is the sentence "When Stan Getz and his cool tenor made the scene in the late '403, Hawkins was Out with the Ins."

Author: /time Magazine | Title: Letters: Sep. 7, 1962 | 9/7/1962 | See Source »

Actually, the first crack in the dam was when Lester ("Pres") Young introduced a new school of vibratoless tone and long, extended solo lines. Young was Hawkins' strongest challenger, and it was Pres who begat Getz and the cool school. Most musicians consider Hawkins and Young the two great...

Author: /time Magazine | Title: Letters: Sep. 7, 1962 | 9/7/1962 | See Source »

It was the big tone, the rhythmic stride and the air of unfettered delight that made Hawkins an immediate success when he broke in with the old Fletcher Henderson band in 1923. A St. Joseph (Mo.) boy, Hawkins was only 19; he had been playing the sax since he was...

Author: /time Magazine | Title: Music: Play the Way You Feel | 8/31/1962 | See Source »

When Stan Getz and his cool tenor made the scene in the late '40s, Hawkins was Out with the Ins. But that, too, passed. Hawkins is back In, so busy recording and hopping about the U.S. and Europe that he rarely has time to sit down to listen to...

Author: /time Magazine | Title: Music: Play the Way You Feel | 8/31/1962 | See Source »

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