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Word: hay (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...that his best work, with its inspired inconsequentiality, seemed to exert not only a period charm but charm, period. Five years ago, a new production of Hay Fever (1924) by Olivier's National Theater Company set off a flurry of revivals and re-evaluations. The times seemed right for a look back at gaiety, and soon the brittle sophisticate of legend, clenching a cigarette holder and dashing off pages of decadent dialogue before breakfast, had become the grand old man of the English theater...

Author: /time Magazine | Title: Show Business: Noel Coward at 70 | 12/26/1969 | See Source »

...growled at her: "Pass the salt; it isn't black." She and Brown finally stopped talking altogether. The picture was execrable. But it cost only $6 million and raked in money. Another south-of-the-border oater, Bandolero, gave Raquel the opportunity to demand of Dean Martin, "How duss hay man get to be han hanimal like ju?" Such lines at least scotched rumors that Raquel was a crypto-Chicano; her accent was pure Hollywood...

Author: /time Magazine | Title: Show Business: Myra/Raquel: The Predator of Hollywood | 11/28/1969 | See Source »

...HENRY HAY Los Angeles...

Author: /time Magazine | Title: Letters: Nov. 14, 1969 | 11/14/1969 | See Source »

Like his photography, Ben Shahn's paintings, particularly the series on Sacco and Vanzetti, reveal his concern with social injustice. He stressed the social function of his art rather than its aesthetic value. Photography he regarded purely as a means of documentation. He shot prisons, bales of hay, store fronts and the tasteless side shows at the circus. Never acknowledging their artistic possibilities, he used his photographs as material for his painting. Photographs helped him recall details about the way people looked...

Author: By Cynthia Saltzman, | Title: The Gallerygoer Ben Shahn As Photographer | 11/5/1969 | See Source »

When the cast of the new CBS summer series, Hee Haw-a hillbilly version of Laugh-In-arrived at the train station to start taping in Nashville last May, the performers were paraded ceremoniously through town atop mule-drawn hay wagons. "We felt like such goddam fools riding down the main streets," recalls Co-Producer Frank Pep-piatt. "We thought there would be throngs to meet us, but we ended up waving to each other...

Author: /time Magazine | Title: Programming: The Corn Is Still Green | 8/8/1969 | See Source »

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