Word: hay
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Dates: during 1970-1979
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...time, one can see the whole man under one roof-from the juvenilia (a graffito he scratched on a beam in the family mill when he was 16) and memorabilia, to the grand series of 6-ft. landscapes he painted in the 1820s and '30s. These include The Hay Wain, The Leaping Horse, Salisbury Cathedral, from the Meadows, Hadleigh Castle. In them Constable did to the perception of landscape in paint what Wordsworth had done to it in verse...
...that serves the action and suspense--is what people want for Alan Strang. His mother wants him to be happy and religious, his father wants him to improve his character, his girlfriend just wants him to be able to toss in the hay with her, the magistrate wants him to be without pain, and Dysart wants him to retain his passion--or at least toys with the idea. And it is in Dysart that this desire to see the boy different than what he can become--not just dull--that the dangers arise of wanting any child to be something...
...produce a vintage crop. Elsewhere, the sizzling sun brought punishing drought. The French government declared parts of Brittany and Normandy agricultural disaster areas. The grain crop was expected to be off by 10%, and there were fears as well for corn and potato harvests. Because of a lack of hay for cattle, milk production plunged...
...five amino acids, that is capable of fitting the binding site on the mast cells. Injected into an allergy victim, the pentapeptide occupies the binding sites on the mast cell and blocks the complete IgE molecule from attaching itself and causing an allergic reaction. Hamburger, who himself suffers from hay fever, then tested the effectiveness of his blocking agent by experimenting on himself, his wife and two daughters and a colleague, Dr. W. Virgil Brown, whom he describes as "exquisitely allergic to guinea pigs." Injecting some of Brown's blood serum under his own skin, Hamburger found that...
...Hellenistic pageantry, Tetley retains only the theme of the legend to provide a scaffolding over which he has draped an elaborate visceral poem. In the Chagall-blue-and-aqua forest of Costume and Scenery Designer Willa Kim, Daphnis and Chloë, two innocents danced by Richard Cragun and Marcia Hay dee, are instructed in the art of love-making by Egon Madsen's lithe and sinuous...