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Word: hayakawas (lookup in dictionary) (lookup stats)
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...late Alma Rubens in an elevator. Sam Sing Tsong objected when his daughter got extra jobs on location scenes in Chinatown. Was it not true that every time a picture is taken, its subject loses part of his soul? Nonetheless, Anna May Wong carried a tea tray for Sessue Hayakawa, did a bit in a Lon Chancy picture, played in a Hal Roach two-reeler, acted with Douglas Fairbanks in The Thief of Bagdad. She got an even better chance to exhibit her ability in a German picture called-but not in her honor-Tsong, Tsong (1928) was widely successful...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 1, 1934 | 10/1/1934 | See Source »

...girl who loses $20,000 gambling and to pay it, has to borrow from the villain of the piece. Her husband gives her money to cover the loan but the villain (Irving Pichel) refuses to accept a check. In two previous versions of the picture-one with Sessue Hayakawa and one with Pola Negri-this was the moment for the big scene where the heroine was branded with a red hot iron, on the back. As a novelty in this version, Irving Pichel applies the iron to Tallulah Bankhead's front,* murmuring vicious cliches as he does...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 21, 1931 | 12/21/1931 | See Source »

...professional obligations. The picture, lacking the thickly gruesome atmosphere contrived by Author Sax Rohmer, is further handicapped by poor dialog and ineffective acting; the blood that is spilled in it seems scarcely as thick as water. Ablest members of the cast are the orientals-Anna May Wong and Sessue Hayakawa, who has not made a picture in Hollywood since 1921. After disbanding the company he had formed to make pictures featuring himself, Cinemactor Hayakawa acted in English and French cinemas, wrote a novel, played a brief dramatization of it in vaudeville. For the last year he has been acting...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 31, 1931 | 8/31/1931 | See Source »

...Tokuji Hayakawa, onetime railway conductor, now builder-operator of the newly opened Tokyo subway (TIME, Jan. 9), contrasted, last week, his construction methods with those used in Manhattan. Since a great part of Tokyo is not, like Manhattan founded upon a rock, no drilling whatever was necessary and the Tokyo tube was simply buried in trenches cut with ease in the soft soil...

Author: /time Magazine | Title: JAPAN: Empire Notes | 2/6/1928 | See Source »

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