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...Composer Joseph Haydn's closest friends and sincerest admirers was a phrenology enthusiast named Carl Rosenbaum. Two nights after Haydn's funeral in 1809, Rosenbaum took a shovel, a lantern and a brace of helpers to the fresh grave. When he left, he carried Haydn's head under his arm. His purpose: to save the great man's cranium for the study and admiration of future phrenologists...

Author: /time Magazine | Title: Music: Together Again? | 12/28/1953 | See Source »

...deed was not discovered until eleven years later, when Prince Esterhazy, grandson of Haydn's patron, ordered the remains transferred to a finer tomb on the Esterhazy estate. The trail soon led to Rosenbaum, but the police turned his house upside down without finding the skull. (They did not, however, disturb Frau Rosenbaum, who, pleading illness, had taken the trophy to bed with...

Author: /time Magazine | Title: Music: Together Again? | 12/28/1953 | See Source »

...raison d'etre of the string quartet. Of course it may be answered that a woodwind quintet can aim at quite a different and equally valid ideal. Unfortunately, composers have not yet shown what this might be. The two classical works on the program (by Beethoven and Haydn) were both transcriptions, and of the contemporary quintets played, only the Hindemith has serious merit, though three short pieces by Ibert offer facile pleasure by their eclectic and clever ideas. The fact that a work is a transcription need not condemn it, however; and the two performed by the Quintet proved...

Author: By Alexander Gelley, | Title: Philadelphia Woodwind Quartet | 10/19/1953 | See Source »

Those who have take Music I may want to pry deeper into the symphony with Music 135. The course covers composers from Haydn to Piston at the hours noted above and in a section on Monday from 2 to 4. Glee Club conductor G. Wallace Woodworth is the forceful lecturer, Room 2 of the Paine Music Building...

Author: NO WRITER ATTRIBUTED | Title: Need A Course II | 9/29/1953 | See Source »

Masterpieces of Music before 1750 (Danish soloists and ensembles directed by Mogens Wöldike; Haydn Society, 3 LPs). Fifty brief selections, carefully performed and recorded. The first disk begins with the constricted Gregorian chant beginning with the 7th century, goes up to 16th century instrumental dances. No. 2 takes the story from large motets by Lassus and Byrd up through early Italian opera by Monteverdi and massive 17th century organ music. The final disk contains mostly Bach and Handel works. A scholarly collection, but with plenty of appeal to the ear as well...

Author: /time Magazine | Title: Music: New Records, Sep. 28, 1953 | 9/28/1953 | See Source »

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