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Other noteworthy new records: four of Handel's works for Ancient Instruments and Soprano, with Valarie Lamoree and the Pro Musica Antiqua of New York (Esoteric); Haydn's Seasons, with the RIAS Symphony, choirs and soloists conducted by Ferenc Fricsay (Decca. 3 LPs); seven evocations Of Gods and Demons, sung by Bass-Baritone George London (Columbia); Scriabin's Poem of Ecstasy, played by the Paris Philharmonic Orchestra under Manuel Rosenthal (Capitol); Howard Swanson's Short Symphony, Franz Litschauer conducting the Vienna State Opera Orchestra (Vanguard); music by Rossini, Cambini and Bonporti, played by the Virtuosi...

Author: /time Magazine | Title: Music: New Records, Jun. 1, 1953 | 6/1/1953 | See Source »

...Rumble of Principles. The audience applauded warmly, and the critics nodded fraternally. "Purely esthetic, absolutely logical," wrote Noel Straus of the Times. "As simple and charming as a Haydn symphony," said the Herald Tribune's Jay S. Harrison. "A composer with principles," rumbled the Journal-American's Miles Kastendieck...

Author: /time Magazine | Title: Music: Critical Composer | 4/27/1953 | See Source »

...Dublin's shy, serious Composer Gerard Victory, 31, Ireland's harp has been silent too long. Ireland has a single professional symphony, a host of amateur choral societies which stick pretty closely to Handel's Messiah and Haydn's Creation, two opera societies which import stars for about seven weeks a year of old-fashioned grand opera, a green countryside full of amateur balladeers, and that is about all. Composer Victory decided to do something about it, last week unveiled in Dublin the world's first opera in Gaelic...

Author: /time Magazine | Title: Music: Dublin's Dumb Wife | 4/20/1953 | See Source »

...prospect. "If an eight-year-old thinks she can teach anything to an experienced orchestra like the L.P.O.," one of them fumed. "I'll teach my grandmother to suck eggs." They confidently expected to have their own way with the music: Beethoven's Fifth Symphony, Haydn's Symphony No. 73, and the William Tell overture. But they were in for a rude shock. The young maestrina had her own ideas about tempo-generally she likes it faster than the London Philharmonic does-and she rapped them to a halt time & again to tell them...

Author: /time Magazine | Title: Music: Victor & Gianella | 3/23/1953 | See Source »

...performance, most of the audience stood up to cheer. Two nights later, 6,000 Londoners watched and listened while Gianella guided the orchestra with professional aplomb. Gianella started badly, muffing the opening bars of the overture to Der Freischütz, but soon found herself. Then came Haydn's Symphony No. 73-with Gianella and the L.P.O. outdoing themselves-and the Tannhäuser overture. By this time, the Albert Hall audience was applauding wildly-though whether from seeing a conductor who unabashedly scratched her bottom during the Haydn or from pure admiration of her musicianship...

Author: /time Magazine | Title: Music: Victor & Gianella | 3/23/1953 | See Source »

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