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...Tchaikovsky 6) Haydn...

Author: /time Magazine | Title: Music: Who's the Best? | 5/17/1943 | See Source »

...stands as one of the bulwarks in any competent violinist's repertoire. As it stands today, it is also established in any competent pianist's repertoire, for the transcription by Ferruccio Benvenuto Busoni is second to none in transferring the mood and music accurately to the piano. The Brahms-Haydn Variations, written originally for two pianos, and Mussorgsky's "Pictures at an Exhibition," originally written for piano, have also profited by transcription...

Author: By Charles R. Greenhouse, | Title: THE MUSIC BOX | 5/12/1943 | See Source »

...than competent performances of Thus Spake Zarathustra and Don Quixote were heard, but the Don Juan which followed can be spoken of only in glowing superlatives. Also heard during this hour and a half of musical ecstasy was an-almost-equal-to-Toscanini Brahms' Variations on a theme of Haydn, and three choral selections sung by the Cocilia Society and Apollo Clubs of Boston. These included Brahms' "Ein Schicksalslied" (A, Song of Destiny). Wolf's "Der Fuerreiter" (The Fire Riders) and the Borodin Polovetzian Dances from "Prince Igor." The flawlessness of their singing, their round, full warm tone all made...

Author: By Charles R. Greenhouse, | Title: THE MUSIC BOX | 4/21/1943 | See Source »

...subtle business of communicating to the orchestra, by the contortions of his face and form, his own profound knowledge of the score, his emotional temperature, from the tender to the explosive, and his exquisite musical taste. Beecham is widely regarded among musicians as an unparalleled interpreter of Mozart and Haydn in particular, and as a conductor, in general, of the order of Toscanini and Koussevitzky...

Author: /time Magazine | Title: Music: Enthusiastic Amateur | 4/5/1943 | See Source »

...there were no redeeming features in the other two selections on the program. Burgin's direction of Haydn's C-minor Symphony lacked the lustre and precision of a Koussevitsky' performance; the first movement of Mahler's Third Symphony was nearly as oppressive as the full six movements would have been. The evening proved conclusively that it takes more than a good soloist and a good orchestra to make a good program...

Author: NO WRITER ATTRIBUTED | Title: THE MUSIC BOX | 3/19/1943 | See Source »

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