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...dream of an ever-growing following seems to be materializing, if ticket sales of area performances are any indication. Boston Baroque sells out nearly half of its yearly concerts, and has sold more than 300,000 CDs. Other Boston-area groups, like Emmanuel Music, the famous Handel and Haydn Society, and the Early Music Festival, have had similar success. Boston’s vivacious early music ensembles have “blossomed and grown into something that has had a huge impact on the entire classical music scene,” says Friedman. Regardless of personal preference, the rich?...

Author: By Alexander B. Fabry, CONTRIBUTING WRITER | Title: Golden Oldies: Inside Boston's Booming Early-Music Scene | 3/16/2006 | See Source »

...epileptic patients. The key, he believes, lies in the way Mozart repeated his melodies. "He turned a melodic line upside down and inside out. That gave people something interesting to listen to. Our brain loves pattern." Some of Bach's music scored highly, as did works by Mendelssohn and Haydn. But Mozart's musical sequences tend to repeat regularly every 20-30 seconds, which is about the same length of time as brain-wave patterns and other functions of the central nervous system. His conclusion is that the frequency of patterns in Mozart's music counteracts irregular firing patterns...

Author: /time Magazine | Title: The Power Of Mozart | 1/7/2006 | See Source »

Joseph Haydn’s te deum did not suffer from any outstanding performance errors but was clearly the weakest piece in the program. It is extremely important that a piece by such a thoroughly classical composer as Haydn be played lightly, and in this sense, these pieces can be technically more difficult than apparently more demanding ones. Perhaps for this reason, the third performance failed to impress on the level of the first two or the musical epic to come...

Author: By Jonathan M. Hanover, CONTRIBUTING WRITER | Title: Mediocre Overture to a Stunning Feature | 12/4/2005 | See Source »

...early editions of works written by and about these two seminal figures of 18th century classical music. At Loeb, you can view Johan Forkel’s earliest biography on Bach, or try to decipher Mozart’s handwriting on the dedication of his first string quartets to Haydn. There is also an entire section dedicated to four sons of Bach: Carl Philipp Emanuel, Wilhelm Friedmann, Johann Christian, and Wilhelm Friedrich Ernst. Bach’s sons are largely responsible for preserving a lot of their father’s musical work and making sure it eventually was published...

Author: By Ndidi N. Menkiti, CONTRIBUTING WRITER | Title: Century of Bach and Mozart | 10/27/2005 | See Source »

...didn’t forge friendships any more easily than he lured ladies. In 1792, Beethoven moved to Vienna to study under the aging composer Joseph Haydn in an all-star match-up of historical heavyweights akin to Alexander and Aristotle, or Rocky and Tommy Gunn. The teacher and pupil never clicked though, and Beethoven was soon free to pursue his own devices. His skills were a key to the world of the privileged, and he picked up many friends among the aristocracy. By the age of 25, he had performed before the king of Prussia...

Author: By David Zhou, CRIMSON STAFF WRITER | Title: BookEnds: After Teddy Rex and Reagan, Morris Turns His Pen to Beethoven | 10/20/2005 | See Source »

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