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...great many musicians like to think of Brahm's music as short, symmetrical phrases, like the music of Haydn or Mozart. As a result, one often hears a version of Brahms in which the melodies are either blurred or altogether maimed. Seldom is Brahms' musical individuality more forcefully expressed than in his B-Minor Clarinet Quintet, and it is refreshing to hear it played in a way that does not attempt to warp the long melodic lines. The Guarneri String Quartet, in the third concert of its Summer series at Sanders Theatre, with clarinetist Harold Wright, gave a reading...

Author: By Daniel P. Gannon, | Title: Guarneri String Quartet | 7/29/1966 | See Source »

...Glee Clubs and the HRO seem to be good for each other. At least, when they combined for Haydn's Lord Nelson Mass Friday night, they sounded better than the individual groups have in most recent performances...

Author: By Thomas C. Horne, | Title: HRO, HGC, and Radcliffe Choral Society | 5/2/1966 | See Source »

This was more than made up for, however, when the Glee Clubs combined with the orchestra in Haydn's Lord Nelson Mass. Haydn is easy to sing, and conductor Elliot Forbes took advantage of the situation to reveal a dynamic power and expressiveness that no one who heard the first half of the concert would have guessed the singers possessed. Particularly striking were the crescendo-decrescendos in the Sanctus, the contrasts in the Benedictus "Osanna in Excelsis," and especially the pianissimo "Dona Nobis Pacem" in which the singers produced one of those beautiful, sensuous sounds that are pleasurable in themselves...

Author: By Thomas C. Horne, | Title: HRO, HGC, and Radcliffe Choral Society | 5/2/1966 | See Source »

...orchestra, too, performed unusually well in the Haydn. The inevitable false intonations among the violins were unusually infrequent; and although the strings occassionally played too loud, interfering especially with the female soloists, their quality of sound was much better than it has been in past performances...

Author: By Thomas C. Horne, | Title: HRO, HGC, and Radcliffe Choral Society | 5/2/1966 | See Source »

...even the caterers will care. Weddings still have the traditional trimmings, including white lace and tears, but many couples now insist on writing their own wedding service or at least varying the hallowed music; the customary wedding marches have begun to give way to Handel's Water Music, Haydn's St. Anthony Chorale, or even Spanish guitar tunes...

Author: /time Magazine | Title: Essay: On Tradition, Or What is Left of It | 4/22/1966 | See Source »

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