Word: hayloft
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...prim New Englander named Wooley (Fredric March) ran afoul of a witch (Veronica Lake) in a hayloft and had her and her supernatural father (Cecil Kellaway) burned alive and buried, for safekeeping, under the roots of an oak. The doomed witch cursed him and his male issue with disaster in love. The curse holds better & better in 1770, 1861, and 1904 (Fredric March, Fredric March and Fredric March). It looks even more propitious when, on a stormy night in 1942, lightning rives the oak and sets father and daughter at liberty once more, as a talkative pair of fumes...
...this praise farmers have done everything but turn their barns hayloft out. First thing was to use more & more machines; last year they bought a record-breaking $735,000,000 worth v. only $607,000,000 worth (at higher unit prices) in free & easy 1929. They also went in for more electricity (it was poured into their laps by REA), more fertilizer, better seeds, better livestock breeding practices...
Sturges' whipping boy is one John L. Sullivan (Joel McCrea), director of such comic hits as So Long Sarong, Hey, Hey in the Hayloft, etc., who unexpectedly rebels, wants to make a sociological epic named Oh Brother, Where Art Thou? Sullivan, outfitted as a tramp, goes on the bum to find out about life. His bosses, who came from that side of life, know all about it and want no reminders, have him tailed by a busload of studio publicists-just in case...
Greenwich Village's American Contemporary Artists Gallery nestles like a hayloft hideaway in the eaves of the Village Barn cabaret. There last week William Cropper, U. S. leftism's No. 1 painter, gave his annual one-man show. A persistent sapper and gnawer at the roots of capitalism (for years the ace cartoonist of the old Liberator, the newer New Masses), Painter Gropper turns out each year some 50 oils, countless lithographs and drawings of fat capitalists, hungry workers, woe-heeled sharecroppers, bashed and bleeding soldiers. His highly-colored, savagely-drawn pictures have drawn praises and commissions from...
...last Saturday night, when as usual its 1,200 seats had been filled and emptied by two consecutive paying audiences, no fewer than 860,013 people had given 35 to 75? to get in and watch a freestyle, catch-as-catch-can radio show on a stage representing a hayloft. Station WLS's Barn Dance is a corny five-hour jamboree, radio's longest* and oldest in continuous operation, tops in Crossley ratings in its class. Last week this program, begun a week after Station WLS first took to the air and its mainstay ever since, celebrated...