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...beef stew, of course--unless they're in the mood for chicken Tetrazzini or black-bean soup with ham. "Mmmm. It smells great," announces Sarah to no one in particular, as she savors the steaming stew. The sumptuous dinner was the creation of the family's personal chef, Anne Hayward, 55, who left hours ago. The only evidence of her efforts is the tantalizing aromas lingering in the kitchen and the three weeks' worth of meals freshly stocked in the refrigerator and freezer...

Author: /time Magazine | Title: Working Families: Personal Chefs | 4/8/2002 | See Source »

When the Bachas first used Hayward last October, they were ambivalent about hiring someone to cook for them. Would it be worth the expense? (Hayward charges $225, on top of the grocery bill, for about 15 family meals.) How tasty would the food be? Would friends in their neighborhood--affluent but hardly overrun by servants--view the Bachas with disdain? "It sounded pretentious," says Sarah. But she seldom has time to indulge her own passion for cooking, and Hayward's services give her more time with her family. "We're not rushing around every night to pull something together...

Author: /time Magazine | Title: Working Families: Personal Chefs | 4/8/2002 | See Source »

...Hayward Gallery in London is having a show of some 100 watercolors and drawings and a few oils by Paul Klee. It is, of course, thronged. Klee is one of the relatively few 20th century artists genuinely liked by the public for something other than gossip or ridiculously high prices. Milder than clover (which his name means in German), more timid and introspective than a vole listening to the hellish racket of the century outside its burrow, Klee (1879-1940) could never have been accused of being one of the more confrontational artists of his time...

Author: /time Magazine | Title: Art: Flyaway Fantasy | 3/18/2002 | See Source »

Small pictures, powerful presence and an output that can't be compressed into a single show. The Hayward's version, "Paul Klee: The Nature of Creation," was curated by a critic, Robert Kudielka, and a painter, the supremely intelligent and responsive Bridget Riley, the grande dame of English art. As Kudielka points out in his catalog introduction, Klee's work was not rooted in any movement. However abstract, it came out of the experience of nature and culture blended. Perhaps the decisive moment in Klee's early career was a 1914 visit that he and his friend August Macke paid...

Author: /time Magazine | Title: Art: Flyaway Fantasy | 3/18/2002 | See Source »

...have also been craning their necks and asking questions. Raised on the promise of an economic bubble that burst in the early '90s, this artistic generation is both wide-eyed and dark-spirited?and creatively seizing the moment with a large survey exhibition, "Facts of Life," at London's Hayward Gallery. "It is a time in which there is a profound sense of anxiety about the future as well as a strong sense of self-reflection and analysis," says curator Rachel Kent, who has brought nine emerging Japanese artists and their work to Australia for "NEO-TOKYO: Japanese...

Author: /time Magazine | Title: Day-Glo and Darkness | 11/19/2001 | See Source »

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