Word: haywards
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...BROOKE HAYWARD 325 pages. Knopf...
Count no man happy, said the Greeks, until he is dead. Or a family, Brooke Hayward adds, in this intense, absorbing tale of her own. On Daughter Brooke's account sheet, the story of the Haywards is not so much tragic as it is sad. They were not visited by terrible events like poverty, disease, or accident: they invited unhappiness, as casually and as carelessly as they might invite a tiresome guest to a garden party; eventually they were seduced by its dark and terrible charm...
Father was Leland Hayward, the best theatrical and movie agent in the business and later the successful producer of such hits as South Pacific and Call Me Madam. Worshiped by his children and idolized by his five wives, he exuded vitality; he was incomplete without a telephone in his hand, making a million-dollar deal or selling a Garbo, a Fonda, or a Hemingway. Mother was Margaret Sullavan, the husky-voiced star of the 30s and '40s. Though she was not a classic beauty, men found her bewitching: "The fairest of sights in twinkling lights is Sullavan with...
Once there was Beau Geste featuring Gary Cooper, Susan Hayward and la gloire. Now there will be a Chinese priest from Ireland named Father Shapiro, a black White Russian called Booker T. Dostoevsky and a rampaging Arab called Abdul the Disgusting. The ridiculous new version, The Last Remake of Beau Geste, stars Michael York in the title role, Marty Feldman as his twin brother Digby and Ann-Margret as the pair's libidinous stepmother. For the skew-eyed Feldman, who co-wrote the script, The Last Remake offers his first chance to play director as well...
...Millet centenary exhibition, which began at the Grand Palais in Paris and is now at London's Hayward Gallery, is a remarkable event. It consists of 147 paintings, drawings and pastels, catalogued with bracing intelligence by Yale Art Historian Robert Herbert, who gives us one of the best readings of a 19th century artist to appear in a decade. What Herbert achieves is the restoration of a great lost painter whose images are central to any understanding of radical culture in France...