Word: hayworths
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Cover Girl (Rita Hayworth, Gene Kelly; TIME, April...
...even Cover Girl's story-the one really conventional thing about it-gets in its way. It concerns the nightclub's proud proprietor (Gene Kelly), his one true love among the chorines (Rita Hayworth- and their friend, a clown called Genius (Phil Silvers). A glossy Manhattan publisher (Otto Kruger) sees in Miss Hayworth the image of her grandmother, whom he loved in his youth (Miss Hayworth is glimpsed briefly, more fully clad, in Tony Pastor flashbacks). He puts her on the cover of his magazine, Vanity. After that it is only a question of time before she bolts...
Besides dancing better than ever before, Rita Hayworth looks more than ever like a model in brisk flight from Titian, and shows marked symptoms of acting. Even better is Gene Kelly. Few cinemactors can match his reticence, exact evocativeness and sincerity, or carry such acting abilities into dancing and singing (notably in Cover Girl, Put Me To The Test...
...Miss Hayworth's and Mr. Kelly's amatory ups-&-downs have a warmth and poignancy which is unprecedented in a cinemusical. When they cue into a song-especially the sentimental bull's-eye Long Ago-they do not step out of character for the number. Their dance duets are the best since Astaire and Rogers split. Scene after scene, even the troublesome Manhattanites in their splendid lairs, have a remarkable authenticity of emotion, place, atmosphere and character. So do most of the sets, costumes, dance routines, Jerome Kern tunes and Ira Gershwin lyrics...
...movie itself is an utterly blameless attempt to display the faces and figures of a number of models under contract to Metro-Goldwyn-Mayer. It is also a vehicle for Rita Hayworth and Gene Kelly and the average moviegoer has seen the same thing two or three times before. No particular effort was expended in the writing of the script, and the picture vibrates rapidly between the ancient and the inane...