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Word: hazeled (lookup in dictionary) (lookup stats)
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...shining ebony. From the keyboard Chopin's Minute Waltz flowed fleetly, ripplingly. For a while it surged along according to Chopin. Then watchers saw an impish flicker of a smile, an insinuating movement of a shoulder. Came the first suggestion of a hot lick; another, and another. Then Hazel Scott began to "break it down," and was off in a wild mélange of pianistics, sweet, hot, Beethoven and Count Basic...

Author: /time Magazine | Title: Music: Hot Classicist | 10/5/1942 | See Source »

...fans had known all along what was coming. Hazel Scott, star Negro entertainer of Manhattan's Cafe Society Uptown, was doing what she does best, the thing that has lifted her into showdom's top rank and made her this season's Manhattan sensation: swinging the classics...

Author: /time Magazine | Title: Music: Hot Classicist | 10/5/1942 | See Source »

...where others murder the classics, Hazel Scott merely commits arson. Classicists who wince at the idea of jiving Tchaikovsky feel no pain whatever as they watch her do it. She seems coolly determined to play legitimately, and for a brief while, triumphs. But gradually it becomes apparent that evil forces are struggling within her for expression. Strange notes and rhythms creep in, the melody is tortured with hints of boogie-woogie, until finally, happily, Hazel Scott surrenders to her worse nature and beats the keyboard into a rack of bones. The reverse is also true: into...

Author: /time Magazine | Title: Music: Hot Classicist | 10/5/1942 | See Source »

...contributes the savvy, it's youth that has the oomph. Pretty, dusky Nightclub Performer Hazel Scott tosses tunes from one end of the piano to the other in a dazzling succession of tempos and keys; and Paul Draper, least typical and most aristocratic of tap dancers, performs in his crispest and most brilliant style...

Author: /time Magazine | Title: The Theater: New Show in Manhattan | 3/23/1942 | See Source »

...riff is mentioned, and there are some reflections on the quality of big-band arrangements. You'll find even the Alec Wilder Octet and the Golden Gate Quartet, not usually welcomed into the jazz household, but the line had to be drawn somewhere, and the door slammed before Hazel Scott and Carmen Cavallaro...

Author: By Harry Munros, | Title: SWING | 3/6/1942 | See Source »

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