Word: hazing
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...seldom subsides at the Academy Homes. Alpha Security guards constantly patrol the buildings, and the walls of the MBTA's orange line--which slices through the project--are almost completely obscured by graffiti. Poor, extended and usually fatherless families occupy the two massive structures which rise out of the haze and debris of Roxbury. Most of the adults are alcoholics or drug addicts. The children--who comprise more than 60 per cent of the residents--run in gangs, calling themselves the Warlocks, the Crazy Homicides or the Wild Bunch. The environment is not conducive to a serene childhood...
...Crimson harriers open their 1980 spring season today against Princeton in a haze of uncertainty. With abundant talent and depth, the only drawback to a winning season may prove injuries on this perennially ailing squad...
...tetched possum trying to seduce a wolfhound. Wright was the dippy lesbian in Girlfriends and she gives Sabbath a similar flightiness, the nervous soul of a girl who revels in sex and sin. Harry Dean Stanton is properly menacing as the conniving Asa Hawks who wants to torture Haze in a fraudulent game of redemption. Daniel Shor fusses and leaps about hilariously in an ape suit as the deranged Enoch Emery, whose new Jesus is a shrunken South American mummy stolen indiscreetly from the city MVSEVM. And Ned Beatty, the only "name" in the cast, appears fleetingly as the entrepreneurial...
...Wise Blood belongs to Huston and his star, Brad Dourif as Haze. Dourif was the stuttering Billy Bibbitt of One Flew Over the Cuckoo's Nest; he looks like a crazed Don Knotts. His eyes contort wildly, glaring unnervingly, distracting from his rigid nose and hard, flat mouth. Dourif's Haze is grotesque, a little man possessed by a shady demon. He believes in his Church Without Christ not with his soul--which is undeniably Christian--but with his body. It shakes with evangelical passion, with barely controlled violent passion capable of murder. And in an ultimate renouncement of Jesus...
...film is the simple way Huston and Fitzgerald have translated O'Connor's work to the screen. It works as if the novella had been the treatment for a screenplay. Like O'Connor, they make these characters seem natural when, in fact, they are grossly unnatural. When Haze wraps himself in barbed wire, a sequence that is at first horrifying becomes tender and comic because these characters really breathe, bleed and smile. Fitzgerald even allows some of O'Connor's imagery to creep into the dialogue when Enoch describes a woman with "hair so thin it looked like ham gravy...