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Although Hare's psychological drama would have sat better with the '70s generation of "lost souls" out to find themselves, his premise of an idealist lost in the anti pastoral post-war haze of reconstruction is nonetheless an interesting one. It suffers, however, from Schepisi's overly artful direction and pacing. In an attempt to recreate the vanguard, new wave look of Orson Welles' Citizen Kane, cinematographer Ian Baker arbitrarily splices the film every twenty minutes or so in order to mark the passage of time, eschewing the more conventional and smoother dissolving methods. The problem, of course, is that...

Author: By Cristina V. Coletta, | Title: Hare's 'Plenty' Promises, But Comes Up Empty | 9/27/1985 | See Source »

...maybe the financial rewards weren't so great and the groupies--as well as I can recall in the haze of post victory euphoria--weren't beating down my door, but my primary goal, beating Crimson sports boss Jeff Zucker was accomplished...

Author: By Nick Wurf, | Title: Money for Nothing | 9/21/1985 | See Source »

...then (or so one must surmise, through the haze of fin de siecle uncertainties) the whole picture of American art in the '80s will have altered; some popular reputations will seem as obviously ridiculous -- though as sociologically interesting -- as the former cult of such late 19th century artists as Bougereau or Hans Makart. But whether there is any real genius in the offing is a moot point. America has no major younger expressionist artist, like Germany's Anselm Kiefer or England's Frank Auerbach. Though it has some gifted realist painters, notably William Bailey and Neil Welliver, none...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

...second mode is eclectic quotation from the image-haze, like a distracted viewer spinning the TV dial. Its leading practitioner in the U.S., among those born after 1950, is David Salle, 32. His main compositional device, putting emblems over a tangle of "transparent" figures, came straight from late Francis Picabia and perhaps from Salle's German contemporary Sigmar Polke. There is also a strong debt to earlier James Rosenquist. Salle draws, or rather traces, awkwardly and flatly. His imagery mimics the nullifying influence of TV, its promotion of derisive inertia as the hip way of seeing. Underneath, a congealed eroticism...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

...both moons were pocked with white spots from which streaks of bright material radiated. To Bradford Smith, head of the Voyager imaging team, the spots were evidence that meteorite impacts had pulverized the gray surface, exposed an underlying layer of ice and spewed it out in all directions. The haze covering the Uranian north polar area,* he suggested, may be smog--not unlike the Los Angeles variety--resulting from a photochemical reaction caused by sunlight acting upon gases in the planet's atmosphere...

Author: /time Magazine | Title: Space: A Crescendo of Discovery | 2/3/1985 | See Source »

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