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Word: hdc (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...handful of dedicated participants, there are now more interested people than can be comfortably accommodated. Harold R. Scott '57, who has been a leader in this revival of spirit, playing the dual roe of actor (John of Gaunt in the Eliot Drama Group's Richard II) and director (the HDC's Something Wild), estimated that there are "about 200 people from Harvard and Radcliffe who have performed in one show or another...

Author: By Frederick W. Byron jr. and Bernard M. Gwertzman, S | Title: Revived Dramatics Activity Parallels Theatre Interest | 4/25/1956 | See Source »

...past, House groups generally have given just one production per year, but this year Eliot gave three. The reason for this was simple. By drawing its personnel from the whole University, the Drama Group was just another HDC in disguise. It had the added advantage of having a definite place to rehearse, whereas the HDC has had to move around to find adequate rehearsal space. Tashjian points out that "the support of Master Finley has been inestimable," referring to the fact that a House group has "an angel" in its Master who can usually appropriate House funds to help...

Author: By Frederick W. Byron jr. and Bernard M. Gwertzman, S | Title: Revived Dramatics Activity Parallels Theatre Interest | 4/25/1956 | See Source »

This amazing success of the House Groups, which try to appeal to the same audiences as does the HDC, and which have consistently produced high quality performances, has presented theatre people with a dilemma. On one hand they recognize the "present prosperity" of drama, but on the other hand they believe Harvard must have its own University Theatre...

Author: By Frederick W. Byron jr. and Bernard M. Gwertzman, S | Title: Revived Dramatics Activity Parallels Theatre Interest | 4/25/1956 | See Source »

...house productions. As long as there are audiences willing to pay and talent wanting to be used, there is room for another play. The new theatre's appeal, based upon increased polish, should complement the intimacy of house productions. Such competition should only encourage such organizations as HDC to attempt larger, more professional productions and help the house groups to remain, and in some cases to regain, their house flavor...

Author: NO WRITER ATTRIBUTED | Title: The Harvard Theatre | 4/17/1956 | See Source »

...tone. The costumes and sets are simple; but their starkness is the key to their effect. The jazzy musical background is usually effective. With the exception of a little mechanical following of blocking, the production is generally excellent. Each escape is impressive: with most of the old stand-by HDC'ers doing the escaping and Hal Scott aiding and abetting them, this little bundle of abnormality is well worth a trot over to Agassiz...

Author: By Frank R. Safford, | Title: Something Wild | 4/12/1956 | See Source »

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