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...student body the size of the University's, it was, of course, impossible to find one or two original plays each year that were always worthy of production. Those play's which did seem of promise, but were unsuitable for local performance, were given a "reading" by the HDC, after ample rehearsals. Eventually, the Club began to present outstanding foreign plays which were being ignored by the Belascos and the Frohmans on Broadway. Since 1919, no undergraduate plays have been produced by the HDC...

Author: By George A. Leiper, | Title: From the Pit | 5/10/1949 | See Source »

Though it has failed in its original purpose, the HDC has figured prominently in the history of the theater in this country. Not only can it claim to have first offered creative opportunity to such men as Robert Edmond Jones, Donald Oenslager, and Robert Sherwood, but many significant new plays have been given their American premieres here under the Club's auspices. A brief list of some of the more important would include Auden and Isherwood's "The Dog Beneath the Skin," Saki's "The Watched Pot," Johnston's "A Bride for the Unicorn," Coctean's "La Machine Infernale...

Author: By George A. Leiper, | Title: From the Pit | 5/10/1949 | See Source »

...plight of drama at Harvard has been frequently discussed on these pages (and will continue to be, it is hoped, until the drama is given its rightful, official recognition); it will not again be related here. However, if the HDC had had intelligent faculty guidance and if it did not have to pay high rental fees (for both rehearsal space and an auditorium)--two handicaps the University could endeavor to remove--there is little doubt but that the past few years would not have been so fruitless and bitter for the Club...

Author: By George A. Leiper, | Title: From the Pit | 5/10/1949 | See Source »

...about Woolley's performance. He knows the part well-obviously, since he is the inventor of it, he plays it beautifully and with perfect shading--he ought to, for he had played it long enough. without him to play Sheridan Whiteside, it would have been complete lunacy for the HDC to attempt a production of this play. No matter how many productions of this perennial favorite you may have seen, when Woolley emits his first line, you know that the right man is in the wheelchair...

Author: By Charles W. Balley, | Title: The Playgoer | 4/14/1949 | See Source »

...question the success of the play. There probably will be people who don't think This Sort of Thing should be put on by a Harvard dramatic group. They are wrong; this Kaufman and Hart is as good theater as Giradoux and as some Shakespeare. The HDC has a fine show this fortnight...

Author: By Charles W. Balley, | Title: The Playgoer | 4/14/1949 | See Source »

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