Word: headdressed
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...tload of money they're payin' me." There's plenty of money lavished on the production too: $10 million (as she mentions three or four times during the evening), and it boasts some luscious videographic effects. Oh, and Midler does make an appearance wreathed in a 3200-lb. headdress of pink feathers. But Showgirl, written by Eric Kornfeld and Bruce Vilanch, and choreographed by Toni Basil, keeps its focus on the star. It's a big satin pillow for her outsize talents to cuddle...
Australia's most senior Islamic cleric, Sheik Taj Al-Din Hilali, was justly slapped down by the community after he described women who did not wear the hijab (headdress) as "uncovered meat." In a Ramadan sermon in September, the mufti also told his flock that women, by the way they dress and act, were to blame for sexual assault. When the comments were reported in late October by the Australian newspaper, the nation's leaders condemned Hilali. After he apologized, claiming his words were taken out of context, Hilali fell into the arms of his physicians. He rode...
...iPod generation, it doesn't get more radical than wearing a veil. The hijab worn by traditional Muslim women might have people talking, but it's the wimple that really turns heads. And in the U.S. today, the nuns most likely to wear that headdress are the ones young enough to have a playlist...
That radicalism is, ironically, embodied by the wearing of the veil. Decreed unnecessary by Vatican II and shed happily by many older nuns, the headdress is for many of today's newcomers a desired accessory. "A lot of my older sisters would never wear the veil," says Sister Sarah Roy, 29, who is the only member of her Sisters of St. Francis of the Immaculate Conception in Peoria, Ill., to do so. (The others wear a simple dark dress adorned by a pin.) Though she admits "people just stare at you like you're a freak," she adds...
...bathers, Monet's water lilies and Van Gogh's windmills, a group of white-gloved, green-uniformed installation specialists have gathered round the much earthier canvas of Judy Watson's Aboriginal Shield, which has come all the way from Wollongong. Around the corner, Ken Thaiday Senior's tiger-shark headdress occupies a cabinet where early Greek and Egyptian antiquities are normally housed. But this day the biggest impression comes when Patricia Piccinini's mutant possum sculpture emerges-bearing impossibly lifelike wrinkles, hair and fangs-from its packing box. "With this work, we are now starting a new history," says exhibition...