Word: headed
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Dates: during 1950-1959
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...female fans the famed Belafonte costume-a tailored ($27) Indian cotton shirt partially open, snug black slacks, a seaman's belt buckled by two large interlocking curtain rings-combines the dashing elegance of a Valentino cape with the muscled fascination of a Brando T shirt. The handsomely chiseled head is tipped slightly back, the eyes nearly closed. He is always backed by two guitars, a bass fiddle and a conga drum, to which may be added other instruments, or a full orchestra, or a twelve-man chorus...
...Belafonte has developed a remarkable emotional pantomime to match the content of his songs. In John Henry, he hunches his tall, lithe body (6 ft. 2 in., 185 Ibs.) in a half crouch, knots his fists, launches into the verses with teeth clenched and a spasmodic toss of his head...
...quieter moods of such a song as Scarlet Ribbons he may stand perfectly straight, his head and shoulders pinned by the spotlight, lips eloquently pursed. In Sinner's Prayer, his face contorts in anguish; in Mark Twain it breaks wide in gutty laughter. When he attacks Love, Love Alone, a comic number, he often throws his arms wide, pivots in an arc from the waist and wobbles his head to the rhythm while he delivers the calypso lyrics with an impudent grin...
...landlords on the fashionable East Side refused to rent to a Negro family). Belafonte has collected contemporary paintings and Haitian sculptures, in the vocabulary of his trade cares little for clothes (twelve suits, eight sports jackets, three tuxedos), owns no real estate. He drinks little (he has no head for liquor), neither diets nor exercises regularly to keep in his famed trim, although he concedes that "nothing would destroy the illusion faster than a belly." When he is in Manhattan he rarely misses a dinner at home, and he usually gets eight hours' sleep a night. He likes...
...reason for this shining success after so many failures is buried in Washington's jungle of bureaucracy. The firing was postponed from December to February on orders of Dr. Keith Glennan, head of the newly formed National Aeronautics and Space Administration, which took the program over from the Navy. Every detail of the launching vehicle was examined critically, but whether major changes were made is not clear. There were few changes of personnel. Long-suffering Dr. John P. Hagen, director of the Vanguard program from its beginning, remained in charge. When he reported to the House space committee...