Word: headless
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Dates: during 2000-2009
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...this case, also elusive are the Italian nationals whom the police claim were paying $60,000 a gallon for unprocessed human fat; nowhere to be found, too, were the dozens of headless, fatless bodies supposedly dangling in a clandestine fat-rendering laboratory...
...sophomore album, The Headless Songstress, Tika and her band - the aptly named Dissidents - file slow-burning postcards from the Jakartan edge. Recorded in a mix of English and Indonesian, these are songs of cynicism ("My midlife crisis was at its peak that Friday night"), urban ennui ("My dad's religious, my mum's a bore/ Can we talk about something else?") and modern manners ("Harry loves Betty .../ But daddy wants Betty to marry Eddy/ But Eddy loves Larry"). Classic jazz scoring - for piano, acoustic bass and drums - steeps the work in an atmosphere of late nights and darkened rooms...
Indonesia's Metro TV quoted Nuruddin, an employee at the Marriott, saying that a body with no head or feet had been found. The news station reported that another headless body was found in the Ritz-Carlton, also operated by an American hotel chain and with the same Indonesian owner. "The bombs could have been on timers or strapped to suicide bombers," says Conboy, author of The Second Front, an examination of Jemaah Islamiah (JI), a homegrown, regional terrorist network with ties to al-Qaeda. "If they were suicide bombers it was most likely the work of religious radicals...
Shonibare is best known for making headless mannequins like the ones in his How to Blow Up Two Heads at Once (Ladies). They come outfitted in 18th or 19th century dress, but in a wild-style fabric that's from another time and place altogether. It looks at first like "traditional" African patterned cloth--and it is--but the tradition turns out to be complicated. As Shonibare discovered years ago, those "African" wax-print textiles are actually produced by the Dutch, who borrowed them from the batik cloth of their Indonesian colony, then started selling them in Africa, where they...
...symbol of the unstable elements that go into racial and national identities, the cloth was perfect--and it was also gorgeous. Shonibare set to work using it for his signature mannequins. Dummies in more ways than one, his headless figures are oblique meditations on the complexities of cultural identity, coming at the question from the indirect angles provided by wit, ambiguity and beauty. In his ensemble piece Scramble for Africa, the 14 life-size figures arranged around a table represent the colonial powers that carved up Africa at the Berlin Conference of 1884-85, where they helped themselves to what...