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...with a sense of indebtedness to other works and to other writers, to teachers and students. There are footnotes in his speech; he reminds me to ask him about the poets he has read, and quotes a friend in Adams House as carefully he would such poets as Seamus Heaney, Derek Walcott, or Rita Dove. He is almost fastidious in acknowledging his influences. "I'm not a T.S. Eliot--I know where I came from," he says. "A lot of different places," But at the same time, he distances himself from labels of membership...

Author: By Kelly A. E. mason, CRIMSON STAFF WRITER | Title: A Poet Who Is Wary of the 'Burden of Representation' | 6/4/1992 | See Source »

...have been able to do many things he once did at Adams, where he organized a house reading series called "Night People," and learned to use the Bow and Arrow Press. Before partial randomization, Kevin says, Adams House was "a more vital place. It makes sense that Seamus [Heaney] is in Adams House. It wouldn't make any sense for him to be in Kirkland. And it's no accident that Master Kiely was in the English Department. There was support of the arts. You got to pick your own niche, and there were tons of niches...."Whatever problems...

Author: By Kelly A. E. mason, CRIMSON STAFF WRITER | Title: A Poet Who Is Wary of the 'Burden of Representation' | 6/4/1992 | See Source »

...glitch in writing poetry, then is the problem of finance. When I ask Kevin if he plans to be a poet supporting himself with his writing alone he says, "I don't think there is any such beast. Even Seamus [Heaney] teachers and lectures." He laughs when I ask him if he wants to be famous. "Do I want to be famous? Well, I'm not going to be rich In a way, it's reassuring that no one cares about poetry," he answer. "But I'd like to be know, and to keep writing think if I said tomorrow...

Author: By Kelly A. E. mason, CRIMSON STAFF WRITER | Title: A Poet Who Is Wary of the 'Burden of Representation' | 6/4/1992 | See Source »

Sanders Theatre is a cavernous, Gothic space, where Harvard undergraduates have, through the years, come quietly to listen to tweedy poets like T.S. Eliot, John Ashbery and Seamus Heaney. But the scene on Feb. 6 was dramatically different. At 8 p.m., Jeffries, his flowing white robes and black and gold hat, ascended the stairs from backstage to loud cheers from many Blackstudents, several of whom were seated in theorchestra section. The rest of the audience,mainly white, sat in a scornful U around theorchestra, occasionally hissing at Jeffries.Outside, in the cold, 450 students protestedJeffries' presence. For the first time...

Author: NO WRITER ATTRIBUTED | Title: Voices of Protest | 2/13/1992 | See Source »

While we're at it, we might as well make our well-paid servants lend a hand to anyone willing to shell out the big dough. Force Marty Feldstein to help millionaires with their taxes. Force Seamus Heaney to edit pulp best-sellers. Force Jeff "I'm too busy saving the world to talk to undergraduates" Sachs to clean up a country that has some money, dammit. Force Med School profs to perform celebrity plastic surgery...

Author: NO WRITER ATTRIBUTED | Title: $ome $imple $ugge$tion$ | 11/21/1991 | See Source »

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