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...Henderson) was properly grave and honorable; Bassanio (Jeffrey Rubin) was in higher spirits but equally good. Both played straight men, but the success of the play depended on them; unless we are made to feel that they are men of higher moral value than Shylock the play is a heap of incoherence. I would also single out the Prince of Morocco (Curt Anderson), Salerio (John Sedgwick), Nerissa (Meg Vaillancourt), and Jessica (Andrea LaSonde) for their well-executed performances. Launcelot Gobbo (Kevin Grumbach) did some unexpectedly successful things with some of Shakespeare's least inspired clown material, and his father (Peter...

Author: By Paul K. Rowe, | Title: What Ho! on the Rialto | 11/19/1975 | See Source »

...local English-language weekly Monday Morning recently ran a fashion spread on the "military" look, showing models with rifles under the headline THE APPROPRIATE LOOK. Last week the magazine outdid itself with two new fashion tips: the "refuse romper," platform shoes "designed to keep pedestrians from submerging in garbage heaps"; and the "dross dress," festooned with refuse so that the wearer can "evade snipers by melting into any garbage heap or, in the unlikely event that no such heap is immediately available, by lying down anywhere and becoming a garbage heap...

Author: /time Magazine | Title: The World: Shards from a Shattered Mosaic | 11/10/1975 | See Source »

...lock her in, then gaze for hours at the stage (and boxes, which she regularly uses as an extension of the stage), trying to figure out a way to adjust that small rectangle to her large vision. She has been known to doze off-one time lying in a heap of curtains in an aisle -and be ready to go the next morning...

Author: /time Magazine | Title: Music's Wonder Woman | 11/10/1975 | See Source »

...past is that the entire Ivy League will be at the same party. Nobody knows how strong anybody else is; no coach will claim to be the favorite, yet almost all entertain some sort of hope that they, indeed, will end up at the top of the heap...

Author: By Thomas Aronson, | Title: Tom Columns | 9/27/1975 | See Source »

...cost estimates by more than 500 per cent, becoming the biggest gravy train for Louisiana builders and politicians in years--but so, for all we know, may have the Pyramid of Cheops, and who remembers that now? What does it matter that the Superdome is actually ugly, a vast heap of metal that now dominates downtown New Orleans? Or that it has bad acoustics and ventilation or that nobody can find the bathrooms, or that you can't see from some of the seats? These are not the kinds of things that should dilute a monument to man's imagination...

Author: By Nicholas Lemann, | Title: More Than a Building | 9/15/1975 | See Source »

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