Word: hear
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Dates: during 1890-1899
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...proper judges expressed themselves as entirely satisfied with the singing. (It is fair to state that at this concert the club labored under the disadvantage of having no piano). The second concert at Arlington, was, it is true, below par, but by no means "disgraceful." We are surprised to hear the subsequent dissatisfaction of the audience as no such disapproval was made manifest while the concert was in progress. Finally anyone who heard the club sing on Friday evening must concede that the hearty applause which it received was well merited...
...hear considerable complaint about the Glee club. It is said that the organization is run by a clique, that it does not represent by any means the musical abilities of the college and that some members are so disgusted with the management of the club that they are ready to resign. It is said that the club is worse now than it has been for years. A few days ago a concert was given which could not be called anything less than disgraceful...
...instructors of the geological department and of the Scientific school, including Professors Shaler, Davis and Chaplin will meet all those who are thinking of taking up geology in any of its branches as a profession, Wednesday, at 4.30 p. m. All those who care to ask questions or hear opinions on this subject will have an opportunity at the Museum of Comparative Zoology in the paleontalogical laboratory first floor...
...Guilhem de Castro and the sources of Corneille's Cid. The speaker of the evening was Professor Sumichrast. His subject was "Garrison Life in Halifax," where he lived a number of years. Professor Sumichrast excused the subject of his address in that out of recitation hours students prefer to hear some subject totally disconnected from college studies...
...programs being rather the other way, I think many of the music lovers present at the beautiful concert on Thursday evening in Sanders theatre will regret that the cello selection played by Mr. Hekking under the simple title "Melodie," by Mathuet, was not more fully described, when they hear that the real title of the piece is "Electra's Invocation." It is part of the melo-drama music written by Mathuet to accompany Leconte de Lisle's powerful condensation and adaptation of aeschylus' Oresteia, "Les Erinnyes." It is played while Electra is reciting her Invocation to the gods, standing...