Word: heard
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Dates: during 1910-1919
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Tonight for the first time in ten years, Professor Copeland will read in the Living Room of the Union. His subject, "Kipling", is one which always draws a large audience, so that the removal from the Dining Room, where we have always heard "Mandalay" in the past, will be most welcome. It is particularly fitting that this reading should be open to all members of the University, instead of to members of the Union only, as is the usual custom. Few of us may realize that this year marks the twentieth in Professor Copeland's services at Harvard. In that...
...CRIMSON publishes the facts in this case for two reasons: first, to let those who may have heard of the matter know that Harvard undergraduates do not stand for this sort of thing. (Had not due punishment already been administered, we should not hesitate to publish the names of the men whom we deem so misrepresentative of Harvard sportsmanship). And, in the second place, we wish to point out the far-reaching effects of what may have been thought at the time something in the nature of a care-free "party...
When the President came he said although he had heard the Harvard cheer on many previous occasions, it had never sounded quite so welcome to him before. The enthusiasm which had greeted him would remain a source of pride and pleasure, which no adverse circumstance could ever take away...
...better adapted to the accommodation of a large attendance would be the quadrangle between Sever and University Halls. It is shielded from the street, is capacious, and beautifully shaded. The Glee Club sings on the steps of Sever Hall on Class Day, and the fact that it can be heard even at the extremities of this space shows that there would be little difficulty in hearing the Commencement speakers, who address a much quieter audience. The weather will spoil the best laid plans, but for an outdoor gathering, this part of the Yard is almost ideal...
Though Miss Sylva, who sings the part of Zorika, comes here heralded by a deserved operatic reputation, the vocal honors of the performance go to Mr. Albro as Joszi; his rich baritone, to say nothing of his versatile acting, entitles him to be considered the best male singer heard here in operetta for the past few years, with the exception of Orville Harold. The other members of the cast are familiar musical-comedy figures. It is a distinct relief to find a piece, the libretto of which does not suffer from the injection of slap-stick and futile appeals...