Search Details

Word: heard (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...duly summoned into the presidential bedroom on the second floor. Asked Johnson: "What's all this stuff I've been reading about in the papers?" Pat had his "little speech memorized word for word," Luci says. "I'd heard it a thousand times...

Author: /time Magazine | Title: The White House: Three-Ring Wedding | 8/5/1966 | See Source »

...meeting will start at 10 a.m. with a series of workshops, directed by deposed Georgia legislator Julian Bond, which will allow workers who are usually not heard from in campaign headquarters to "voice many of their often creative ideas," Frank said. These small groups will exchange campaign and political action techniques, Mrs. Flora Donham, Pax staff worker said yesterday...

Author: NO WRITER ATTRIBUTED | Title: Dove Candidates Confer in Conn. | 8/2/1966 | See Source »

When I last heard of Long Gone Niles he was singing in the now defunct Insomniac in Hernosa Beach. At Newport Long Gone evoked memories of early, classic rock and roll with "Shake it, Baby, Shake...

Author: NO WRITER ATTRIBUTED | Title: Folk Festival Fails to Excite | 7/29/1966 | See Source »

Also on the program were the Concertina for String Quartet by Stravinsky and the Beethoven C-sharp Minor Quartet, Op. 131. The Stravinsky, written in 1920, is a little-heard work that was also scored for wind ensemble. It shows the influence of Russian folk-music, but its construction focuses on an effort to draw a rough, guttural sound from the instruments, and it demands a great deal of technical competence of the players. The Guarneri Quartet measured up in every way to its challenges, and provided a startling contrast to the Romanticism of the Brahms...

Author: By Daniel P. Gannon, | Title: Guarneri String Quartet | 7/29/1966 | See Source »

...hasty to speak of his language as "poetry." So far little that he has produced can stand by itself in print (except for intoned pieces like Opus 2's "Hard Rain), but needs his performance to make clear the stresses and quantities he intends. Only with these heard can one get a "poetic" sense of language opening through his songs, the exhilarating view of sound and sense stationed in strange surroundings. This is a trivial problem. Dylan's imagination can create new contexts for given words; all he really Jacks is a system of notation. We can compensate here with...

Author: By Jeremy W. Helet, | Title: OFF THE RECORD | 7/29/1966 | See Source »

Previous | 258 | 259 | 260 | 261 | 262 | 263 | 264 | 265 | 266 | 267 | 268 | 269 | 270 | 271 | 272 | 273 | 274 | 275 | 276 | 277 | 278 | Next