Word: heard
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Dates: during 1960-1969
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...voice, which makes us care about her even more than we do about the beautiful, corrupted children. Their main difficulty is that their voices aren't quite strong enough; and in the chimes scene, where their hymn deteriorates into a satanic chant, the horrifying words can hardly he heard at all. But J. Thomas Sullivan as Miles is so good an actor, looks so angelic, and sounds so pure, that his scenes are very moving even though we often have to strain to hear. His song in the schoolroom is a weird blending of dewy innocence and dark corruption. Carolyn...
Carter's suit, which will be heard in district court within the next few weeks, has clearly had no effect on the Bureau's code of conduct for employees. As one of its spokesmen explained: "We have hundreds of young men and women coming to work for the FBI in Washington. We must be sure that their parents can be confident that they and their colleagues are living under exemplary standards...
...Parliament, Menon's speech was applauded by some members of the Congress Party's left wing and, of course, by the Communists. Indira was not present during the attack, though she heard it in her office on the parliamentary closed-circuit radio. She did not deign to reply to Menon directly: perhaps she felt that her speech to the nation on All India Radio earlier in the week had already answered her critics. "This government," she said, "is fully committed to the objectives of a socialist and democratic society. But our socialism is one that is related...
This season the quartet's eleven concerts in Philadelphia drew near-sellout crowds. Following their success in Manhattan last week, the de Pasquale brothers had only one regret. Said Joseph: "If only Dad could have heard us. He would have popped his buttons...
This was more than made up for, however, when the Glee Clubs combined with the orchestra in Haydn's Lord Nelson Mass. Haydn is easy to sing, and conductor Elliot Forbes took advantage of the situation to reveal a dynamic power and expressiveness that no one who heard the first half of the concert would have guessed the singers possessed. Particularly striking were the crescendo-decrescendos in the Sanctus, the contrasts in the Benedictus "Osanna in Excelsis," and especially the pianissimo "Dona Nobis Pacem" in which the singers produced one of those beautiful, sensuous sounds that are pleasurable in themselves...