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Word: heard (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

There is something that happened to me quite, recently that may help clarify a lot about Richard Brautigan and this book. I was walking along this muddy path in the woods, right near my house in Maryland, when I heard this faint screeching up ahead. As I got closer, I could distinguish a man's voice. He seemed to be screaming frantically against a background of loud, chaotic piano-banging. I kept on walking, and the voice was exactly like Hitler's, even down to the 1930's crackly sound. My God, I thought, it's Hitler screaming against...

Author: By Steven W. Stahler, | Title: An Attempt to Clarify What Exactly It Is That Richard Brautigan Says About Trout | 12/17/1968 | See Source »

...step with the 20th century as to think that the way to solve his country's financial difficulties is to reduce expenditures below income, I must really despair of his ever restoring his beloved country to its former glory. Hasn't the dummy ever even heard of refinancing...

Author: /time Magazine | Title: Letters: Dec. 13, 1968 | 12/13/1968 | See Source »

...Your "Thanksgiving 1968: Mixed Blessings" [Nov. 29] commentary upon the American scene is far, far too optimistic. The materialistic clamor all about us has just about stilled the human spirit, and the only way the human spirit can now be heard above this deadening din is by way of dissent, protest and demonstration-peaceful and violent...

Author: /time Magazine | Title: Letters: Dec. 13, 1968 | 12/13/1968 | See Source »

...gelignite and several cases of scrap metal to serve as shrapnel, all topped by beer bottles filled with a mixture of oil and gasoline. He set a small, pencil-shaped fuse timed to explode an hour later, and was three-quarters of a mile away when he heard the blast. He escaped by hiking the 22 miles from Jerusalem to the Jordan River...

Author: /time Magazine | Title: World: The Catalogue of Violence | 12/13/1968 | See Source »

Previous productions of The Fantasticks I've seen have provoked similar crises of faith. If you've heard "Try to Remember," you've heard the show's moral: to wit, "without a hurt the heart grows hollow." Now if you read that with a Phyllis McGinley intonation--as is often done--you've got a pretty saccharine play on your hands. The Leverett House Opera Society has chosen a different tack. The prevailing tone of the evening is a cool, balanced wit. Rather like a mellow Oscar Wilde propounding the importance of being burnished. The results are marvelous...

Author: By Gregg J. Kilday, | Title: The Fantasticks | 12/12/1968 | See Source »

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