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Word: hearings (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Meanwhile, Secretary of Defense-designate Melvin Laird, who had gained a solid reputation as an expert in military affairs in 16 years in the House, told the Senate Armed Services Committee what it wanted to hear. He was in favor of staying ahead of the Soviet Union in the nuclear arms race. He said that the invasion of Czechoslovakia had set back attempts to negotiate an arms-limitation treaty as much as twelve months. Added Laird: "We have to start preparing all over again...

Author: /time Magazine | Title: Nation: The Confirmation Marathon | 1/24/1969 | See Source »

This does not mean that Brown's works are meant to represent specific works of Calder or Pollock. "I am not trying to make the listener hear a mobile or visualize a Pollock painting," Brown explains. "I was inspired by the manner, the process of their way of working...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

...This is music by choice, not chance," he says. "My music enlarges the potential for musicians to take a more creative part in the music; yet I am not interested in everybody just doing his thing. I didn't compose by chance. I composed what I wanted to hear...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

...year-old turkey rancher from Greenbush, Minn., and a professional driver for the U.S.'s Polaris Industries Inc., which makes the Polaris snowmobile, was among the first drivers to arrive in Fairbanks, but he got lost in the dense ice fog. Officials at the finish line, who could hear his machine growling aimlessly around the side streets, finally sent out a runner to try to guide him home with a flare. Another contestant gone astray startled onlookers by barreling across the finish line from the opposite direction...

Author: /time Magazine | Title: Winter Games: The Coldest and Crudest | 1/24/1969 | See Source »

Last week, just 100 days after the Memorial Center's dedication, Atlantans were shocked to hear that the ballet, opera and dramatic repertory were folding. Their parent, Atlanta Municipal Theater, had already run up a deficit of $300,000 and could continue no longer at the center. The reason was partly financial mismanagement and partly over-ambition. The Theater had kicked off its season with a superproduction of John Dryden and Henry Purcell's 17th century opera King Arthur, which simultaneously showed off the opera, ballet and dramatic companies. It cost $250,000, but it drew enough...

Author: /time Magazine | Title: Arts Centers: High Cost of Culture | 1/24/1969 | See Source »

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