Word: hearnes
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Dates: during 1960-1969
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Gatto will be the only non-Eli speaking at the dinner. Joining him on the podium will be Charles O'Hearn, representing the undefeated Yale team of 1923: Danny McGill, halfback on the 1956 club, and Mike Pyle, captain of the undefeated 1960 squad who is now captain of the Chicago Bears...
...flying in the world, as its pilots-all veterans of proven skill-know all too well. In the past two years the "Recce" wing has lost 27 crews, including the six men aboard an RB-66 that was shot down last week northeast of Hanoi. But, says Captain Gale Hearn, 34, a onetime flying instructor who specializes in night runs, "we're more scared of those mountains than we are of the Viet Cong. You learn to trust your radar out here. When the moon goes down, it's like flying through an ink bottle...
Kwaidan. Beauty and boredom are richly intermixed in this trio of Japanese ghost stories by Director Masaki Kobayashi, whose last exercise in horror was the classic Harakiri. The boredom stems from three supernatural tales by Lafcadio Hearn, each unfolding with the grace of a water lily and at approximately the same pace. The beauty lies in the film's imagery, the delicate, dreamlike balance of sound and light and color in every frame...
...Birgit Nilsson was still in pain from a gallstone attack the night before, and Irene Dalis cried through all three intermissions over something like an inflamed T-Zone-Aïda never reached the pitch of performance that might have saved it from its staging. Designer Robert O'Hearn built a marshmallow Egypt; Stage Director Nathaniel Merrill strewed the huge cast across it like pistachio shells; Katherine Dunham firmly fixed a rhinestone in every navel within reach and made her debut as a Met choreographer nothing more than a tawdry reminder of her old Haitian dance suites. Uniformly brave...
...famous recent productions of Die Meistersinger-the one mounted by Wieland Wagner in Bayreuth in 1956-the tendency was to reduce realistic sets to a minimum. Last week's resplendent production,* with sets and costumes by Designer Robert O'Hearn, took a different tack-and was far more successful. The soaring stone columns and arches of St. Catherine's Church in Act I looked enduringly solid-a far cry from the standard productions in which they tend to flap and billow like a clothesline of wet wash. The steeply gabled gingerbread houses of Nürnberg...