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...also proved to be an endless source of fascination for Western travelers, who are invariably, and rightly, en chanted by the rugged beauty of its mountains and the exquisite manners of its people. For one of Japan's ear liest Western advocates, Lafcadio Hearn, the main thing was "the viewless pressure of numberless past generations" at work in the country. These days the focus is on the future generations of Japan. No one knows what pressures they will feel, but one thing is cer tain: Japan will, as Sato says, carry weight...

Author: /time Magazine | Title: World: Toward the Japanese Century | 3/2/1970 | See Source »

Gatto will be the only non-Eli speaking at the dinner. Joining him on the podium will be Charles O'Hearn, representing the undefeated Yale team of 1923: Danny McGill, halfback on the 1956 club, and Mike Pyle, captain of the undefeated 1960 squad who is now captain of the Chicago Bears...

Author: By Thomas P. Southwick, | Title: Gatto Will Address Elis At Yale Football Dinner | 2/8/1968 | See Source »

...flying in the world, as its pilots-all veterans of proven skill-know all too well. In the past two years the "Recce" wing has lost 27 crews, including the six men aboard an RB-66 that was shot down last week northeast of Hanoi. But, says Captain Gale Hearn, 34, a onetime flying instructor who specializes in night runs, "we're more scared of those mountains than we are of the Viet Cong. You learn to trust your radar out here. When the moon goes down, it's like flying through an ink bottle...

Author: /time Magazine | Title: South Viet Nam: Eyes in the Sky | 7/29/1966 | See Source »

Kwaidan. Beauty and boredom are richly intermixed in this trio of Japanese ghost stories by Director Masaki Kobayashi, whose last exercise in horror was the classic Harakiri. The boredom stems from three supernatural tales by Lafcadio Hearn, each unfolding with the grace of a water lily and at approximately the same pace. The beauty lies in the film's imagery, the delicate, dreamlike balance of sound and light and color in every frame...

Author: /time Magazine | Title: Cinema: Screen Painting | 12/3/1965 | See Source »

...Birgit Nilsson was still in pain from a gallstone attack the night before, and Irene Dalis cried through all three intermissions over something like an inflamed T-Zone-Aïda never reached the pitch of performance that might have saved it from its staging. Designer Robert O'Hearn built a marshmallow Egypt; Stage Director Nathaniel Merrill strewed the huge cast across it like pistachio shells; Katherine Dunham firmly fixed a rhinestone in every navel within reach and made her debut as a Met choreographer nothing more than a tawdry reminder of her old Haitian dance suites. Uniformly brave...

Author: /time Magazine | Title: Opera: The Schippers Festival | 10/25/1963 | See Source »

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