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...Chris Hearn: Wall Sculpture--Nielsen Gallery (to April...

Author: NO WRITER ATTRIBUTED | Title: Ongoing Exhibits | 4/23/1987 | See Source »

...with modern art were never enthusiastic, and during the crucial years in which great modernist collections could still be formed for not much money -- from 1930 to 1965 -- it fudged the issue of commitment. Despite two bequests totaling $250,000 given early in the century by Retailer George A. Hearn for acquiring contemporary American paintings, the Met did not have an active department of contemporary art until Henry Geldzahler joined it as / curator in 1967; and even then it was seldom in real competition with either MOMA or the Whitney...

Author: /time Magazine | Title: Art: Another Temple For Modernism The Met's 20th century wing | 2/2/1987 | See Source »

...school of Paris but weak in surrealism, with some early Picassos, like the 1906 portrait of Gertrude Stein, and the late Braques, like The Billiard Table, 1944-52, of ravishing quality; obstructed by (mostly) dull American figurative works by John Steuart Curry, Jack Levine and the like, bought with Hearn's money in the '20s and '30s, that ought to be a footnote to the American Wing; dense with fair-to-splendid examples of early American modernists (Georgia O'Keeffe, Marsden Hartley, Arthur Dove and others) and later abstract expressionists, but far too light on German expressionism, Dada and constructivism...

Author: /time Magazine | Title: Art: Another Temple For Modernism The Met's 20th century wing | 2/2/1987 | See Source »

...robust as it should be. (Injured during the dress rehearsal, he played the crippled hero on real crutches.) Individual honors go to Mezzo-Soprano Florence Quivar as the soulful Serena and the dashing Gregg Baker as the villainous Crown. The production, designed and directed by Robert O'Hearn and Nathaniel Merrill, is handsome, if not as spectacular as Douglas W. Schmidt's Radio City triumph. Arthur Mitchell, director of the Dance Theater of Harlem, assisted Merrill with the vivid fights and crowd scenes and staged the dances, underscoring the slice-of-life vigor that is the opera's chief asset...

Author: /time Magazine | Title: Music: George Gershwin Gets His Due | 2/18/1985 | See Source »

...below par, and neither of the principal singers in Lakmé had the proper French timbre or sense of style for their roles. Sweeney Todd is more gruesomely appealing in a smaller house, and the City Opera's lead cast does nothing to erase the memory of George Hearn and Angela Lansbury...

Author: /time Magazine | Title: Music: Champagne Time for Beverly Sills | 10/29/1984 | See Source »

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