Word: hearstly
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Dates: during 1950-1959
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...eliminated a pesky competitor, increased its domestic clientele by some 120 daily newspapers to a total around 950 (v. the A.P.'s 1,243), will have "available" the services of such well-read I.N.S. byliners as Bob Considine, Ruth Montgomery and Louella Parsons, who will remain on the Hearst payroll. There was no question about who was taking over whom. U.P. will control 75% of U.P.I.'s stock, and U.P. President Frank H. Bartholomew will become president of the new agency...
...I.N.S., the deal was even more logical. Started in 1909 by William Randolph Hearst, who wanted his own wire service for his own papers, I.N.S. has long been in trouble. Kept going more out of Hearstly pride than profit, it averaged an annual loss of some $3,000,000 over the past few years. To compete with the A.P.'s thoroughness and the U.P.'s color, I.N.S. fell back on splash-and-dash journalism. On a coronation story, editors could rely on the A.P. for the dimensions of the cathedral, the U.P. for the mood of the ceremony...
...business in 1916 on the short-lived Milwaukee Daily News (Schleppey claims he was managing editor; oldtimers remember him as a reporter). In the next years, Schleppey worked for the New York World and the New Orleans Times-Picayune, put in a term as a Washington reporter for the Hearst chain. In 1934 he went to work for the Indianapolis Publishers Association and started his career as a labor specialist...
...death a month later. When it happened, all Hollywood broke loose. Newspapers all over the U.S. poured on the black ink and the big type, scrambled wildly for the kind of news that would keep the public buying. They found it. Two-fisted Aggie Underwood, 55, city editor of Hearst's Herald-Express (and only woman city editor of a U.S. metropolitan paper), decided that there must have been some love letters. She called Mickey Cohen, who took Johnny Stompanato's death as a personal affront. Cohen's hoods raided Johnny's expensive Los Angeles apartment...
Nathan had always written his reviews -and 40 books-in longhand; when arteriosclerosis cramped his right hand in 1956, he quit his longtime (13 years) job as drama columnist for Hearst's King Features Syndicate. He dictated his memoirs for Esquire, and last month, in a piece prepared for Theatre Arts magazine's June issue, had his last, impish say on the state of the American theater. "It seems," wrote he, "that we still have with us the volunteer embalmers who are yapping that the theater is dead. The theater will live as long as there...