Word: heart
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Dates: during 1990-1999
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Even when he was a regular on the TV series Trapper John, M.D., Brian Stokes Mitchell (just Brian Mitchell then, before he added his middle name for more distinctiveness on the marquee) was a Broadway performer at heart. A film editor on the show once said he knew Mitchell must be a theater vet because he acted even when the camera wasn't on him: "You don't turn off when it's not your line...
...Behave?, Too Darn Hot) to others and spends most of his time playing mock Shakespeare and bickering with his ex-wife and co-star, deliciously played by Marin Mazzie. That's one reason Mitchell never much liked the musical. "I thought the show had no heart," he says...
...Mitchell has found the heart--and the laughs and the sexiness too--in a knockout follow-up to his career-making role two seasons ago as Coalhouse Walker in Ragtime. His crystal-clear baritone brings out all the graceful intricacy of Porter's lyrics, and he moves from Shakespearean verse to comic pratfalls with ease. It would be demeaning to point out that Mitchell has the best posture on Broadway, but there's something about that lean, ramrod-straight bearing that manages to both poke fun at itself and radiate real stage charisma. This new Kiss Me, Kate (Broadway...
...great empires thus falter was explained by a 16th century Arab physician. Imbibe the brew, he warned, and "the body becomes a mere shadow of its former self. The heart and the guts are so weakened..." Or, in modern parlance, you polish either your gold-plated Melior or your M-16. You can't launch a Hellfire missile with a frappuccino in hand. Pleasure trumps prowess...
...intricately conceived as he rises and falls in a world of war, plague and stolid bourgeois comfort. A galvanic force--ambitious, hugely inventive, avaricious--he is the portraitist of the poshest plutocrats, nobly aglitter, and the allegorist of human wreckage. Schama's book is a marvel of storytelling: sometimes heart pounding, always sympathetic and coolly reasoned. Seamlessly joining social history and art, what a triumph of scholarship and imagination...