Word: heartbreaker
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...Autumn's first big comedy, The Heartbreak Kid, tried to have it both ways: apply the boisterous tone to the tale of a bridegroom (Ben Stiller) who finds himself in the marriage from Hell and wants out. The movie earned only $14 million its first weekend, about half what the experts had predicted, and was the first big flop of the fall...
...timeless Scotland, “La Sylphide” tells the story of beautiful ideals and possible heartbreak. James (Carlos Molina) and Effie (Melissa Hough), Scottish peasants, are about to be married. But on the day of the wedding, a beautiful, silvery sprite (Erica Cornejo)—the titular “sylph”—appears. She has a strange power over James that brings out his yearning and love, but every time he tries to touch her, she vanishes. When the sylph appears as they are about to take their wedding vows, James follows...
Sure, a lot has changed since 2004. The Sox have spent countless millions of dollars on mediocre players. The Sox have put their history of heartbreak behind them. The Sox won’t be underdogs again for a long time. Yes, a lot has changed...
...consecutive weeks back in December 1972, the Palomar production company and 20th Century-Fox teamed to release two films: Sleuth and The Heartbreak Kid. Now, on consecutive weekends in October 2007, come remakes of those movies. As it happens, the original Sleuth and Heartbreak were smart and funny and took a fairly brutal view of their main characters. The remakes, though honoring the basic plots of their predecessors, are dumb, witless and humiliating to all parties...
...attempts to appeal to a teen audience, how shades of gray have been coarsened to simple blacks and whites, how everything then was better than anything now, etc. etc. That alterkocker argument might be made to apply to the Farrelly brothers' dumb-down of the Neil Simon-Elaine May Heartbreak Kid, which I was unkind to last week. But it doesn't work on Sleuth, an art-house effort with more modest box office aspirations, a much loftier collection of talent, on and off screen - and, you'd think, an unwreckable scenario...